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  1. Lost in the Funhouse is a collection of postmodern short stories by John Barth, published in 1968. The stories are self-referential, metafictional, and often playful with form and genre.

    • John Barth
    • 1968
  2. May 28, 2021 · A literary analysis of Barth's short story "Lost in the Funhouse", which explores the themes of sexuality, illusion, and art. The story follows Ambrose, a boy who is initiated into the world of love and pain in a carnival funhouse, and who imagines himself as a writer.

  3. Jun 13, 2024 · Introduction "Lost in the Funhouse" is a short story by American author John Barth. It was originally published in the November 1967 issue of The Atlantic and later included in the author's short ...

  4. May 20, 2017. Lost In The Funhouse; Fiction For Print, Tape, Live Voice is John Barth's response to a gauntlet Marshall McLuhan was throwing down back in the heady days of the sixties regarding the immanent demise of the work of art as printed text and the subsequent decline in the fortunes of the Gutenberg family.

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    • Paperback
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  5. John Barth’s Lost in the Funhouse is a collection of self-reflexive stories that stray from traditional realist narrative methods while calling attention to the artifice of narrative technique. It features stories narrated by a spermatozoon journeying to the ovum, a Siamese twin attached belly to rear to his brother, and characters from Greek mythology.

  6. Introduction. "Lost in the Funhouse" is a collection of metafictional short stories by John Barth, first published in 1968. The book is known for its innovative narrative techniques and its exploration of the nature of storytelling. Through a series of interconnected stories, Barth challenges traditional narrative structures and delves into the ...

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  8. Lost in the Funhouse is a book of short stories by John Barth, a National Book Award finalist and a pioneer of metafiction. The stories explore themes of purpose and existence through playful and inventive techniques, such as printing sideways, cutting out shapes, and leaving blanks for the reader to fill in.

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