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Martin Rackin was born in New York City, New York, USA. He was the son of a silk mill owner, and started work as a hat store delivery boy. His work became lighter as a copy boy for the New York Mirror, where he became a publicist and speech writer. When the United States entered WWII (1941), Rackin went to Hollywood and served...
The only business in the Wild West town of Jericho that corrupt sheriff Alex Flood doesn't control behind the scenes is the stagecoach owned by tough-willed widow Molly Lang and her right-hand man, Hickman.
In 1966, Norman Rockwell painted a series of portraits for the Twentieth Century Fox production of the movie Stagecoach under the direction of Martin Rackin. For each actor Rockwell designed a symbolic logo, or rebus, which humorously describes the character or part played by the star.
Nicknames: "'80s RB", "3D-RB". Logo: We see the classic Rankin-Bass logo, except made completely three-dimensional, with the text in royal blue, in the corporate font of then-current parent company Telepictures. A white line forms under the logo, and that line "springs" into a cursive "Animated Entertainment".
Martin Rackin. Producer: Two Mules for Sister Sara. Martin Rackin was born in New York City, New York, USA. He was the son of a silk mill owner, and started work as a hat store delivery boy. His work became lighter as a copy boy for the New York Mirror, where he became a publicist and speech writer. When the United States entered WWII (1941), Rackin went to Hollywood and served...
- July 31, 1918
- April 15, 1976
Martin Rackin (31 July 1918 – 15 April 1976) was an American writer and producer who was briefly head of production at Paramount Pictures from 1960–64. In the late 1950s he wrote and produced a series of films with actor Alan Ladd.Richard Fleischer described Rackin as "a real character.
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Rankin/Bass Animated Entertainment (founded and formerly known as Videocraft International, Ltd. and Rankin/Bass Productions, Inc.) was an American production company located in New York City, and known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass's stop-motion productions are recognizable by their visual style of doll-like characters with spheroid ...
