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Dec 18, 2012 · Title Designer Maurice Binder. Binder forged a close relationship with Saltzman and Broccoli and produced a total of 14 title sequences for the franchise – along with an untold number of trailer and promotional edits throughout – with his last film, Licence to Kill, made only two years before his death in 1991. It is Binder who is primarily ...
- Feature
James Bond: 50 Years of Main Title Design. Dec 18, 2012 ·...
- Robert Brownjohn
Robert Brownjohn was an American graphic designer best known...
- Licence to Kill
Maurice Binder; Category Film; Styles experimental, graphic,...
- Tomorrow Never Dies
James Bond: 50 Years of Main Title Design. feature. Casino...
- Live and Let Die
Now you listen to me, trooper boy! We got a swamp full of...
- For Your Eyes Only
Main Title Designed by: Maurice Binder. Title sequence Title...
- Feature
Died. April 9, 1991 (1991-04-09) (aged 72) London, England. Occupation. Film title designer. Known for. Work on 16 James Bond films, including the first, Dr. No (1962), and for Stanley Donen 's films from 1958. Maurice Binder (December 4, 1918 – April 9, 1991) was an American film title designer best known for his work on 16 James Bond films ...
Over 40 years since the first Bond picture, it is clear some things never change. MI6 delves into the life and works of main-title artist, Maurice binder as well as analysing all 21 of the title designs to date. Right: Legendary title designer, Maurice Binder poses with his iconic gunbarrel concept... The man behind 15 of the title sequences is ...
Jul 29, 2002 · But for me the most invaluable Bond Beatle is Maurice Binder, who designed the title sequence for the first Bond film, 1962's "Dr. No." He went on to design (after leaving the credits for "From ...
- Bob Simmons: 1962–1964
- Sean Connery: 1965–1967
- George Lazenby: 1969
- Sean Connery: 1971
- Roger Moore: 1973–1974
- Roger Moore: 1977–1985
- Timothy Dalton: 1987–1989
- Pierce Brosnan: 1995–2002
- Daniel Craig: 2006
- Daniel Craig: 2008
Because Binder had designed the gun barrel sequence to feature James Bond only in silhouette, with a non-widescreen aspect ratio, he used stunt man Bob Simmons, rather than Sean Connery, to film the scene. Simmons hops slightly as he pivots to assume the firing position and, following the blood wash, the dot becomes smaller and jumps to the lower r...
For Thunderball (1965), the aspect ratio of the films was changed to a Panavision (real) anamorphic format and so the gun barrel sequence had to be reshot, this time with Sean Connery actually in the role, making it the first time a Bond actor is seen in the gun barrel.It is also the first gun barrel sequence in which the white dot segues to the fi...
With a new actor, George Lazenby, in the role of James Bond for On Her Majesty's Secret Service (1969), a third sequence had to be filmed. As with Thunderball, the sequence was once again shot in color. In this rendering, the white dot stops mid-screen and the credit line "Harry Saltzman and Albert R. Broccoli Present" appears, much as it did in Dr...
When Sean Connery returned to the role of James Bond for Diamonds Are Forever (1971), the gun barrel sequence filmed for Thunderball was used. As with You Only Live Twice, the sequence was rendered in black and white, but was given a bluish tint. As in On Her Majesty's Secret Service, the barrel is awash with prismatic splashes of light, which this...
With the introduction of Roger Moore, and the use of a 1.85:1 matted aspect ratio, a fourth sequence was shot. It was used for just two films: Live and Let Die (1973) and The Man with the Golden Gun (1974). Moore wears a business suit and uses both hands to fire his gun, his left hand bracing his gun arm. This is the first gun barrel sequence in wh...
The anamorphic format was reinstated for The Spy Who Loved Me (1977), necessitating a fifth version of the sequence, and needs to be reshot. Moore's Bond, wears a dinner suit rather than a business suit and again uses both hands to fire his gun. Unlike the 1973 version, Simmons, and all previous (and later) Bond actors' versions, Bond's gun is nots...
In The Living Daylights (1987), Timothy Dalton fires with only one hand unlike Moore, and leans towards the right of the screen, crouching slightly, similar to Sean Connery. As with the openings for Spy Who Loved Me and Moonraker (the latter of which used a near-identical arrangement of the theme), the blood-flow effect begins before Bond's gun fir...
Following Maurice Binder's death in 1991, Daniel Kleinman became the designer of the Bond opening graphics. Beginning with GoldenEye (1995), the barrel was now computer-generated (but still resembles the original images of the barrel itself) emphasising light and shade variations in the rifling spiral as the reflected light shifts with the gun's mo...
The gun barrel sequence was completely revised again for Daniel Craig's first portrayal of 007 in Casino Royale (2006) (not rip off). Unlike previous installments, the gun barrel sequence does not open the film as a standalone segment: it is instead part of the plot. Having committed the first kill on his way to becoming a Double-O agent, Bond stop...
A redesigned and more traditional-looking gun barrel sequence is reinstated for Quantum of Solace (2008). As the result of a late decision – after a final cliffhanger scene was cut by director Marc Forster– it is placed at the end of the film rather than the beginning, immediately preceding the closing titles, resulting in some cinema-goers rising ...
May 9, 2023 · Mixing love ballad, ... The first Bond movie made after Maurice Binder – the franchise’s opening credits director since 1965’s Thunderball ... The 12 Best James Bond Quotes, Ranked. Movie.
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Apr 14, 1991 · Maurice Binder, 72, who designed the innovative, erotic title sequences for James Bond films. The New York native began his career designing advertisements and catalogues for Macy’s department ...
