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  2. Meret Oppenheim. “There is one thing I do not want you to ask me,” Meret Oppenheim told an interviewer in 1978. It was spring in New York, and the Swiss artist’s latest work was on display at an uptown gallery.

  3. Oct 30, 2022 · Inspired by the visionary Swiss artist’s own plans for an exhibition of her art, Meret Oppenheim: My Exhibition brings together nearly 200 works that offer a wide retrospective view of Oppenheim’s lifelong innovation, remarkably open concept of art, and fierce originality and wit.

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  4. Nov 18, 2022 · A summa, as well as a curatorial map, the images, illuminate Oppenheims achievements beyond the seemingly insurmountable success of Object, as does this show: It affirms that Oppenheim’s career was a wonder that far exceeded a single hit.

    • Summary of Meret Oppenheim
    • Accomplishments
    • Biography of Meret Oppenheim

    Meret Oppenheim's notebook from high school math class contains the following equation: "X= an Orange Rabbit". André Breton (the pope of Surrealism) loved this so much he published the whole notebook. With the looks of a Hollywood film star, and the brain of a mad scientist, Oppenheim managed to persuade the Surrealists to allow her to join their c...

    Of all the Surrealists, she took Breton's call "to hound the mad beast of function" most literally. Her sculptures repurpose household objects intended to serve one function and suggest another, us...
    Oppenheim was the only Surrealist who had any authority on psychoanalysis. Born into a family of Swiss analysts, Oppenheim was steeped in psychoanalytic theory and followed the teachings of Carl Gu...
    Oppenheim's work with the fashion industry helped break down the barriers between fine art and fashion. The line of Surrealist gloves she designed for the high-end clothier Elsa Schiaparelli (who w...
    Although Oppenheim is normally aligned with Surrealism, her daring use of found objects is straight-up Dada. She is a key transitional figure, linking the two movements.

    Childhood

    Oppenheim grew up in Switzerland in a progressive, intellectual family. Her grandmother was active in the Swiss women's rights movement, and her aunt encouraged her to collect prints by Paul Klee, an important early influence on the young artist. Oppenheim's father was a psychoanalyst. At his recommendation, she recorded her dreams (which, according to psychoanalytic theory, provide insight into the unconscious) as a teenager and continued this practice for the rest of her life. The Surrealis...

    Early Period

    Oppenheim enrolled in art classes at the Paris Académie de la Grande Chaumière, and quickly ascended in Surrealist circles, befriending Picasso, Giacometti and Arp, artists twice her age. She exhibited with them at the Salon des Surindépendants. In 1933, she exhibited her first sculpture, the bronze Giacometti's Ear(1933), a turning point in Oppenheim's career and a breakthrough for the Surrealists, who so far had not allowed women to participate as artists. In turn, she served as muse and mo...

    Middle Period

    Oppenheim's middle years were turbulent. Low self-esteem and debilitating depression prevented her from making work for a period for 18 months in 1937. She went back to art school in Basel and began working through the depression and insecurity she felt in a male-dominated art world by making art about it. In Stone Woman(1938), a female body is half in the water and half out of the water, and literally turning into stone, or vice-versa, depending on how you look at it. It was a key transition...

    • Swiss
    • October 6, 1913
    • Berlin-Charlottenburg, Germany
    • November 15, 1985
  5. Jan 12, 2023 · Meret Oppenheim (1913–1985) was a visionary artist who worked across mediums and refused to adhere to a single style. The scope of her influence is similarly varied.

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  7. Inspired by the visionary Swiss artist’s own plans for an exhibition of her art, Meret Oppenheim: My Exhibition brings together nearly 200 works that offer a wide retrospective view of...

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