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  1. Chad Oakes and Mike Frislev founded Nomadic Pictures in 1995. As Co-Chairmen of Nomadic, they have produced, financed, and/or co-financed over Ninety-Three (93) film and television projects. Their feature film debut, “Hugo Pool” (Sean Penn, Robert Downey Jr.), was the audience’s favourites at the 1997 Sundance Film Festival.

  2. en.wikipedia.org › wiki › Mutant_WorldMutant World - Wikipedia

    27 September 2014. (2014-09-27) [1] Mutant World (French release: Independence Wars) [3][4] is a 2014 Canadian-American neo- sci-fi western [5] horror television film directed by David Winning and written by Matt Campagna, produced by Nomadic Pictures on behalf of SyFy. [6] The film follows the adventures of a group of doomsday preppers who ...

  3. The Imperfects is a Canadian superhero science fiction television series created by Dennis Heaton and Shelley Eriksen that premiered on Netflix on September 8, 2022. [1] [2] Promoted as a "coming of rage" story, it follows three young adults pursuing the mad scientist who tampered with their DNA, resulting in disruptive superpowers. [3]

  4. Feb 6, 2016 · Its co-chair Michael Frislev says the industry is tough because of Alberta’s $5-million cap on provincial funding. ... 351 King Street East, Suite 1600, Toronto, ON Canada, M5A 0N1.

  5. Nomadic Pictures, founded by Chad Oakes & Mike Frislev, is a Calgary based production company developing, financing and producing features, MOWs, Mini-Series and TV series. In 20 years, Nomadic has produced over 75 projects, worth a combined $850 million in production, and remains one of the most active production companies in Canada. In 2017, Nomadic …

  6. Jan 25, 2015 · "Birdman" has won the Producers Guild of America's Darryl F. Zanuck Award for best movie -- elevating its status as an awards-season front-runner since the last seven PGA winners have gone on to ...

  7. Sep 6, 2024 · The bounty hunter, Reginald Jones (Peter Dinklage), is a dwarf. The gang leader, Cut Throat Bill, is a woman (Juliette Lewis). And they’re joined by a sense of resentment against the world as objects of ridicule—Jones for his size, Bill for her heavily scarred face, the result of a brutal childhood narrated late in the film by a preacher ...

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