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  1. English. Budget. $22,769. Box office. $692,585 [ 2 ] The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

  2. The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

  3. On its release in the early 1990s, “The Living end” became one of the key films of the New Queer Cinema movement. Refuting both the conservatism of contemporary Hollywood and the increasingly bourgeois codes of “positive stereotyping” found in much of gay and lesbian cinema, Gregg Araki’s film celebrates and explores the sexual outlaws at the margins of Western gay life.

  4. Aug 21, 1992 · The Living End is a 1992 film directed by Gregg Araki, centered on two HIV-positive men, Jon and Luke, who embark on a dangerous and liberating road trip across the United States. As they challenge societal norms and confront their own fears, the film explores themes of alienation, survival, and defiance against a backdrop of the AIDS crisis in early 90s America.

  5. Jul 21, 2024 · The Living End follows two HIV-positive men, Luke and Jon, who embark on a nihilistic road trip after Luke kills a police officer. As they navigate their uncertain future, the film delves into ...

  6. Aug 14, 1992 · Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree. Gregg Araki. Written by CinemaSerf on November 11, 2023. Join the Community. The Basics. About TMDB. Contact Us.

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  8. 75% 61%. Running time: 1h 32m. Genre: Comedy, Drama. A gentle film critic hooks up with a violent drifter in this HIV-positive road movie, which marked the emergence of writer/director Gregg Araki ...

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