Search results
Read by noted actors Michael Gough, Edward Fox, and Eileen Atkins, T. S. Eliot’s The Waste Land powerfully expresses the disillusionment and disgust of the p...
- 59 min
- 399.4K
- Manufacturing Intellect
Little Gidding is the fourth, final, and probably greatest poem of T. S. Eliot's Four Quartets, which were his last significant works and comprise a series o...
- 11 min
- 1245
- Upside Down Dreamer
Jun 16, 2011 · T. S. Eliot reading the fourth of the four quartets - Little GiddingMusic: BorodinText: http://www.tristan.icom43.net/quartets/gidding.html
- 17 min
- 32.1K
- Old Possum
Feb 25, 2017 · A summary of a classic Eliot poem by Dr Oliver Tearle. ‘Little Gidding’ is the last of T. S. Eliot’s Four Quartets, but it is also his last significant poem. What’s more, there is a sense in this poem of Eliot seeking to join the threads of his work together, to ‘set a crown upon a lifetime’s effort’, as he puts it in ‘Little ...
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
The Waste Land Summary & Analysis. T. S. Eliot's "The Waste Land" is considered one of the most important poems of the 20th century, as well as a modernist masterpiece. A dramatic monologue that changes speakers, locations, and times throughout, "The Waste Land" draws on a dizzying array of literary, musical, historical, and popular cultural ...
People also ask
What is Eliot's poem 'Little Gidding' about?
When did Eliot write the Waste Land?
Is the Waste Land a modernist poem?
Who wrote the poem 'Waste Land'?
What is the theme of the Waste Land?
When did Eliot start writing Little Gidding?
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November issue of The Dial .