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  1. The Burial of the Dead. April is the cruellest month The Waste Land begins with a subversion of the first lines of the General Prologue of The Canterbury Tales, by Geoffrey Chaucer. He paints April as a month of restorative power, when spring rain brings nature back to life: “Whan that Aprille with his shoures soote / The droghte of March ...

  2. Feb 25, 2017 · A summary of a classic Eliot poem by Dr Oliver Tearle. ‘Little Gidding’ is the last of T. S. Eliots Four Quartets, but it is also his last significant poem. What’s more, there is a sense in this poem of Eliot seeking to join the threads of his work together, to ‘set a crown upon a lifetime’s effort’, as he puts it in ‘Little ...

  3. Little Gidding. (poem) Little Gidding is the fourth and final poem of T. S. Eliot 's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation. It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.

  4. The Waste Land. Summary & Analysis. T. S. Eliot opens The Waste Land with an epigraph taken from a Latin novel by Petronius. The epigraph describes a woman with prophetic powers who has been blessed with long life, but who doesn’t stay eternally young. Facing a future of irreversible decrepitude, she proclaims her longing for death.

  5. A summary of Four Quartets: “Little Gidding” in T. S. Eliot's Eliot's Poetry. Learn exactly what happened in this chapter, scene, or section of Eliot's Poetry and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.

  6. The Waste Land Summary & Analysis. T. S. Eliot's "The Waste Land" is considered one of the most important poems of the 20th century, as well as a modernist masterpiece. A dramatic monologue that changes speakers, locations, and times throughout, "The Waste Land" draws on a dizzying array of literary, musical, historical, and popular cultural ...

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  8. Overview. “Little Gidding,” composed by much-decorated British American poet T. S. Eliot during the darkest months of World War II, is the fourth and final poem of Eliots Four Quartets (1943), an ambitious philosophical exploration into the nature of time, the reality of mortality, the power of Christ’s love, and ultimately the sublime ...

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