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The United States experienced two waves of folk-song revival activity a little more than twenty years apart, between the late 1930s and the early 1960s. In each case, what could be called traditional American music was reinterpreted and transformed with the help of the sort of "urban elite or priviledged class" mentioned by Ralph Rinzler above.
These genres are universal; all people make music, and almost all start with what scholars would call “folk music.” Nevertheless, this chapter suggests specific ways to find and study them in an American context.
History of Popular Music OER Introduction This History of Popular Music OER contains hundreds of links to the music itself. It contains a history of the European roots of American music. I’ve included parts AfricanAmerican experience with attention paid to the Minstrel show tradition and the birth of the Blues and jaz- z at the end of the 19 th
Jun 1, 2012 · The book covers the diverse strains of American folk music—Latin, Native American, African, French-Canadian, British, and Cajun—and offers a chronology of the development of folk music in...
Feb 14, 2022 · The book's main chapters provide a overview and history of music in the western world; starting with an introductory chapter about the 'fundamental' of music and proceeding chronologically from the music of the middle ages through popular music in the US in the 20th century.
The two declarations meet in America’s most hackneyed phrases: “e pluribus unum” [“from many, one”]; “liberty [for each] and justice [for all].”. They each claim a share of America’s most fundamental laws, the egalitarian Constitution and the individualist Bill of Rights.
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The Latin American Stream. As in the United States, musicians in Latin America developed a wide range of styles blending African music with the traditions of Europe. Caribbean, South American, and Mexican traditions have long influ enced popular music in the United States.
