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  1. May 10, 2024 · As David Masson notes, it “does not accord perfectly with any of the traditional definitions,” and even De Quincey does not “[keep] very strictly to [it]” in the rest of his essay. 21 In fact, De Quincey may have found the concept too narrowly delimited for practical application and public relevance. Whatever the reason, in subsequent writings on literature, De Quincey offers a further ...

  2. Nov 11, 2020 · Thomas De Quincey’s essay On the Knocking at the Gate in Macbeth is one of the best known of his critical works-it appears in most anthologies of criticism and nineteenth-century prose, and is hailed it as “the finest romantic criticism.” “On the knocking at the Gate in Macbeth” was first published in the London Magazine in October, 1823, as an item in De Quincey’s series of ...

  3. Thomas De Quincey 1785-1859 English essayist, critic, and novelist. A versatile essayist and accomplished critic, De Quincey used his own life as the subject of his most acclaimed work, the ...

  4. Aug 15, 2024 · Yet the facts surrounding De Quincey's first knowledge of Coleridge have not elicited biographical speculation despite his leading statement in his 1834 essay on Coleridge that his curiosity in ...

  5. Sep 20, 2012 · Thomas De Quincey (b. 1785–d. 1859), autobiographer and essayist, is best known for Confessions of an English Opium-Eater (1821, 1856), the foundational modern account of drug addiction. His prolific output for the periodical press also included memorable reminiscences of Wordsworth, Coleridge, and their circle; his essays on “On Murder Considered as One of the Fine Arts”; and quirkily ...

  6. In chapter three, “Eddying Thoughts and Dialogical Potential,” Agnew summarizes the five essays through which De Quincey develops the major principles of his rhetoric. These essays, each discussing one of De Quincey’s key themes are “Rhetoric,” “Style,” “Language,” “Conversation,” and “A Brief Appraisal of Greek ...

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  8. aware of in any literature’ (De Quincey 1985, p.3) While such a claim may seem self-aggrandising and unjustifiable, a closer analysis of De Quincey's work proves that he played an important role in the development of confessional writing. By examining The Confessions of an English Opium-Eater in more depth, I intend to explore the manner