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  1. Thomas Penson De Quincey (/ d ə ˈ k w ɪ n s i /; [1] né Thomas Penson Quincey; 15 August 1785 – 8 December 1859) was an English writer, essayist, and literary critic, best known for his Confessions of an English Opium-Eater (1821).

  2. They write new content and verify and edit content received from contributors. Thomas De Quincey (born Aug. 15, 1785, Manchester, Lancashire, Eng.—died Dec. 8, 1859, Edinburgh, Scot.) was an English essayist and critic, best known for his Confessions of an English Opium-Eater. As a child De Quincey was alienated from his solid, prosperous ...

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  3. Nov 2, 2016 · Farrar, Straus and Giroux, 416 pp, $30. It is that most famous work, the opium essay, which has paradoxically stood in the way of properly appreciating De Quincey’s many other contributions to ...

  4. Sep 20, 2012 · Thomas De Quincey (b. 1785–d. 1859), autobiographer and essayist, is best known for Confessions of an English Opium-Eater (1821, 1856), the foundational modern account of drug addiction. His prolific output for the periodical press also included memorable reminiscences of Wordsworth, Coleridge, and their circle; his essays on “On Murder Considered as One of the Fine Arts”; and quirkily ...

  5. Nov 11, 2020 · De Quincey’s Shakespeare is preeminently a poet rather than a playwright. Lamb, in his essay “On the Tragedies of Shakespeare, considered with reference to their fitness for stage representation” (1811), argued that a Shakespearean play is too rich and multifaceted to be represented adequately in the theater and should therefore be read in solitude.

  6. Recollections of the Lake Poets is a collection of biographical essays written by the English author Thomas De Quincey.In these essays, originally published in Tait's Edinburgh Magazine between 1834 and 1840, De Quincey provided some of the earliest, best informed and most candid accounts of the three Lake Poets, William Wordsworth, Samuel Taylor Coleridge and Robert Southey, and others in ...

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  8. Jan 9, 2019 · In an essay on “The Poetry of Pope,” De Quincey refers to power as an attribute of sublime Miltonic literature that links us to the infinite: “What you owe to Milton is not any knowledge,” De Quincey writes, “of which a million separate items are still but a million of advancing steps on the same earthly level; what you owe is power,—that is, exercise and expansion to your own ...

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