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Farina composed the ‘fade out’, which is now regu-larly used in all popularised recordings and sound design. Farina’s work could almost be seen as a form of early ‘field recording’.Yet since society had notcre-ated recording technology, like the Incas and other ancient civilizations before them, Farina was at the
A Century of Sound has been split into two parts, with a third installment currently in the planning stages. They are: Vol. 1, “The Beginning, 1876-1932,” which came out on DVD in 2007. Vol. 2, “The Sound of Movies: 1933-1975,” which came out on Blu-ray in 2015. The third installment will bring the presentation into the 21st century.
- Andre Soares
Apr 30, 2021 · This is a nervous little decade we’re playing with.—Richard Fariña. Remembering Richard Fariña, counterculture songwriter and author who wrote the cult classic of the 1960s, ‘Been Down So Long It Looks Like Up To Me.’. UNEASY RIDER. On April 30, 1966, two days after the publication of his first novel, Richard Fariña attended a book ...
- Diane Hope
- Lawrence English
- Francisco López
- Chris Watson
- Jana Winderen
- Hildegard Westerkamp
- Watson Wu
- Hanna Hartman
- Paul Virostek
- Melissa PONS
With a fascinating audio production career that took an unexpected turn out of academia, Diane Hoperealized she had an affinity for creative sounds after hearing a jazz band perform. Though she was two decades into her career at the National Science Foundation at Arizona State University, Hope traded her lucrative career in for the opportunity to t...
Australian curator, field recordist, and sound composer Lawrence Englishis a critically acclaimed sound artist who claims his work was inspired by listening to the obscure singing of the reed warbler as a child. He considers his work to be based on the politics of perception and how sound is felt, heard, and experienced through the human body. Engl...
Experimental sound composer Francisco Lópezis recognized as a major figure in the sound art and experimental music scenes. His music seeks to inspire what he calls “blind, profound, and transcendental listening” meant to free listeners from “the imperatives of knowledge and open them to sensory and spiritual expansion.” This all might sound a littl...
You may know Chris Watson’s name, as he was one of members of the iconic ’70s post-punk agitators Cabaret Voltaire, but if you’re like me, you’ll also have been aware of his dense body of field recording work that dates back almost to those same early days. He’s a passionate recorder of wildlife, natural habitats, and unique environments, created l...
The biography on Norwegian sound artist Jana Winderen’swebsite reads: “Silence, understood as no sound, cannot be experienced as long as you are alive, since the body itself is quite a noisy place.” Winderen’s work, which can be found in the form of installation pieces all over the world, as well as on the rare published recording, often requires h...
German/Canadian field recordist Hildegard Westerkamp is one of the most celebrated and revered sound composers and acoustic ecologists working today in music. Drawing inspiration from composers like John Cage and Pauline Oliveros, and having been accepted to work with R. Murray Schafer on the World Soundscapes Project in Vancouver in the late ’60s,...
If you’re looking for incredibly hi-fi, emotive audio recorded for your new video game, Watson Wu is your guy. The growing list of games he’s worked on includes Transformers, The Need For Speed franchise, Assassin’s Creed, Madden, NCAA Football, and others. Wu’s job has him doing stuff most dudes daydream about, including shooting off historic weap...
Swedish sound artist and experimental composer Hanna Hartman considers her compositions to be her own personal language. By recording experiences and events and rearranging them out of context, Hartman engineers bizarre and captivating connections through sound. Her work has been recognized and awarded in countries around the world and in her homet...
Paul Virostek is on a mission to document rare and dynamic sounds in an ever-changing world. “Every day, our environment and society changes. Sounds we hear today may not be heard 10 years from now: a type of car engine, a bird about to go extinct, a tribal singer that is the last of their line,” says the field recordist and editor of the blog Crea...
Sweden-based Portuguese field recordist Melissa Pons is known for her thoughtful, patient approach to her work. She’s recorded things most people routinely ignore and considers a track featuring dozens of cows calmly pasturing she captured as one of her personal favorites. Unlike some of the other artists on this list, Pons considers her work as a ...
Dec 1, 2005 · The story of Vitaphone is well known today. Samuel L. Warner championed the process, struck a deal, and in the fall of 1925 moved a crew into the old Vitagraph Studios in Brooklyn to produce Vitaphone shorts, while Watkins set about wiring Warner theatres for sound. Two dates in movie history are inexorably linked to the Vitaphone.
The History of Sound Effects and Field Recording. We will begin talking about the history of sound effects and field recording. Sound effects have always played a major role in the making of Hollywood movies. Frankenstein was produced at Universal Studios in 1931 and was one of the first films to implement location field recording.
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Aug 22, 2022 · For instance, in 1626, Baroque composer Carlo Farina created Capriccio stravagante, a composed field recording (Walden Reference Walden 2012: 1). Shocking in its contemporary Baroque context and still considered one of the most avant-garde works in early compositional music history, the piece forced string instrumentalists to create new techniques to mimic the sounds of a bustling city.
