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Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...
- It Started as A TV Pilot.
- Many of The Actors Were Lesser Known Because It Was Going to Be A TV Show.
- Most of The Ideas For The Film Came from Lynch’s Transcendental Meditation.
- Lynch Didn’T Audition Any Actors.
- Harring Also Predicted The Mulholland Drive Movie.
- Billy Ray Cyrus Was Cast Because of His Music.
- The Character of The Cowboy Just appeared to Lynch.
- The Film Intentionally Draws Parallels Between Acting and Amnesia.
- David Lynch Is Cryptic About Its meaning.
- But He Calls It A Love Story.
Director David Lynch actually got the name for the film when he was planning to create a different pilot, a Twin Peaks spinoff with Mark Frost. Eventually, Lynch was inspired to create a new Mulholland Drivefor ABC. It was very elaborate and many elements were similar to the film; it even had over 50 speaking parts. The show was eventually rejected...
Had Lynch been planning to make a film for the entire process, Naomi Watts may have not even been considered for the lead role. Because Mulholland Drive was originally going to be a television series, Lynch and his casting directors had to pick actors and actresses who would sign contracts for a long-term television series as opposed to a shorter f...
Lynch practices transcendental meditation, which he describes as a way to “expand consciousness.” When the film version of Mulholland Drivewas finally greenlit, he had no ideas and hadn’t even been thinking about it. The day that he needed to put ideas on pages, he meditated and that’s when “all the ideas came, all at once.”
Before being cast, Naomi Watts merely had a 30 minute conversation with Lynch, which is similar to how all of the leads were chosen. During a press conference in 2001, Lynch said, “When you meet the person, I don’t know what it is. I never make anyone read a scene because then I want to start rehearsing—no matter who it is. I just get a feeling bas...
Even though Lynch told her that the pilot for ABC was no longer happening, Harring held out hope. She once said, “I kept dreaming about Mulholland Drivebecoming a movie. And I kept telling [Lynch] that I was seeing omens: Rita, which is the character name, all over the place, and I just saw ‘Mulholland’ everywhere and I said, ‘You know, I just feel...
According to Lynch, “I was listening to Billy Ray Cyrus, even though he wasn’t on the list for this particular role in Mulholland Drive, and I said ‘Hey, that’s Gene the pool man right there.’ So there are beautiful, happy accidents.”
He explained, “Sometimes an idea presents itself to you and you’re just as surprised as anyone else. I remember when I was writing Mulholland Drive, the character of the Cowboy just came walking in one night. I just started talking about this cowboy. That’s what happens—something starts occurring but it wasn’t there a moment ago.”
David Lynch - On The Way To Mulholland Drive - 1/3by kary82 The film features Betty, the actress, and Rita, the amnesia victim. Lynch sees a connection between those two. “Amnesia somehow ties into acting,” Lynch once explained. “A great actor or actress, they give up themselves and they become somebody else. And everybody, myself included, sometim...
Lynch is notorious for his refusal to discuss interpretations of his films. For example, this is how he described Mulholland Drive: “Part one: she found herself inside the perfect mystery. Part two: a sad illusion. Part three: love.”
Lynch said, “It’s strange how films unfold as they go. There may be a noir element in Mulholland Drive, and a couple of genres swimming around in there together. For me, it’s a love story.” To many, the film is undoubtedly a mystery. But Roger Ebert denied that idea shortly after the film was released. He believed that “Mulholland Drive isn’t like ...
- Meredith Danko
Nov 4, 2021 · The enigmatic neo-noir Mulholland Drive — directed by David Lynch and shot by Peter Deming, ASC — began as the 1999 pilot for a proposed ABC TV series. When the show was not picked up, it was turned into a feature film with supplemental material shot a year and a half later, and released in theaters on October 19, 2001.
Jan 4, 2024 · Filmmaker Magazine’s Scott Macaulay speaks with the director about his dreamy depiction of life beneath the Hollywood sign, Mulholland Drive. ~ ~ ~ Could you talk about the process you went through to re-conceive Mulholland Drive from a TV series into a feature film? Mulholland Drive started as an open-ended pilot. At a certain point, ABC saw ...
Hailed by some critics as the century’s best film so far, Lynch’s Mulholland Drive began life as a failed TV spin-off of his cult series, Twin Peaks. Lili Anolik remembers the film that blew ...
Aug 23, 2016 · Mulholland Drive’s own troubled history, and the studio politics and power plays depicted by Lynch in the film itself, hardly feel like coincidences. Under its dream-like veneer, Mulholland ...
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Mulholland Drive started life as a pilot for a TV series. When ABC rejected it outright, Lynch elected to shoot a series of new, lurid scenes to provide an ending of sorts. Watching the final project, it's easy to determine where this "break" occurs. The first 105 minutes of this movie are engrossing, and, for the most part, intelligible.
