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  1. Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an ...

  2. Apr 17, 2020 · They even had a title for it, “ Mulholland Drive.”. Yes, the 2001 film from Lynch, which starred Naomi Watts, was originally conceived as a “Twin Peaks” spin-off series. In fact, Watts’ character in the film would have been the Audrey character from “Twin Peaks.”. “I lived on Mulholland Drive at the time and I thought it was a ...

    • Charles Barfield
    • It Started as A TV Pilot.
    • Many of The Actors Were Lesser Known Because It Was Going to Be A TV Show.
    • Most of The Ideas For The Film Came from Lynch’s Transcendental Meditation.
    • Lynch Didn’T Audition Any Actors.
    • Harring Also Predicted The Mulholland Drive Movie.
    • Billy Ray Cyrus Was Cast Because of His Music.
    • The Character of The Cowboy Just appeared to Lynch.
    • The Film Intentionally Draws Parallels Between Acting and Amnesia.
    • David Lynch Is Cryptic About Its meaning.
    • But He Calls It A Love Story.

    Director David Lynch actually got the name for the film when he was planning to create a different pilot, a Twin Peaks spinoff with Mark Frost. Eventually, Lynch was inspired to create a new Mulholland Drivefor ABC. It was very elaborate and many elements were similar to the film; it even had over 50 speaking parts. The show was eventually rejected...

    Had Lynch been planning to make a film for the entire process, Naomi Watts may have not even been considered for the lead role. Because Mulholland Drive was originally going to be a television series, Lynch and his casting directors had to pick actors and actresses who would sign contracts for a long-term television series as opposed to a shorter f...

    Lynch practices transcendental meditation, which he describes as a way to “expand consciousness.” When the film version of Mulholland Drivewas finally greenlit, he had no ideas and hadn’t even been thinking about it. The day that he needed to put ideas on pages, he meditated and that’s when “all the ideas came, all at once.”

    Before being cast, Naomi Watts merely had a 30 minute conversation with Lynch, which is similar to how all of the leads were chosen. During a press conference in 2001, Lynch said, “When you meet the person, I don’t know what it is. I never make anyone read a scene because then I want to start rehearsing—no matter who it is. I just get a feeling bas...

    Even though Lynch told her that the pilot for ABC was no longer happening, Harring held out hope. She once said, “I kept dreaming about Mulholland Drivebecoming a movie. And I kept telling [Lynch] that I was seeing omens: Rita, which is the character name, all over the place, and I just saw ‘Mulholland’ everywhere and I said, ‘You know, I just feel...

    According to Lynch, “I was listening to Billy Ray Cyrus, even though he wasn’t on the list for this particular role in Mulholland Drive, and I said ‘Hey, that’s Gene the pool man right there.’ So there are beautiful, happy accidents.”

    He explained, “Sometimes an idea presents itself to you and you’re just as surprised as anyone else. I remember when I was writing Mulholland Drive, the character of the Cowboy just came walking in one night. I just started talking about this cowboy. That’s what happens—something starts occurring but it wasn’t there a moment ago.”

    David Lynch - On The Way To Mulholland Drive - 1/3by kary82 The film features Betty, the actress, and Rita, the amnesia victim. Lynch sees a connection between those two. “Amnesia somehow ties into acting,” Lynch once explained. “A great actor or actress, they give up themselves and they become somebody else. And everybody, myself included, sometim...

    Lynch is notorious for his refusal to discuss interpretations of his films. For example, this is how he described Mulholland Drive: “Part one: she found herself inside the perfect mystery. Part two: a sad illusion. Part three: love.”

    Lynch said, “It’s strange how films unfold as they go. There may be a noir element in Mulholland Drive, and a couple of genres swimming around in there together. For me, it’s a love story.” To many, the film is undoubtedly a mystery. But Roger Ebert denied that idea shortly after the film was released. He believed that “Mulholland Drive isn’t like ...

    • Meredith Danko
  3. Oct 12, 2021 · Mulholland Drive started life as an hour-long pilot, intended to launch a new TV series on ABC. However, executives decided against commissioning a full season, and instead the story was changed ...

    • Emily Garbutt
  4. The most promising direction we tried was to delineate the boundaries of the dreams (s) and the identities of the dreamer (s). That was an absorbing exercise, but then consider the series of shots in which the film loses focus and then the women's faces begin to merge. I was reminded of Bergman's " Persona," also a film about two women.

  5. From what I can work out from the linked article and a Cashiers du Cinemart article, there were 5 stages to the making of Mulholland Drive: One - the screenplay for the television pilot, which you can find over at Lynchnet. Two - the original 125 minute version of the pilot, which has never been released to the public.

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  7. Sep 9, 2017 · 2001’s Mulholland Drive is Lynch’s most acclaimed film—a BBC film critic survey even rated it the greatest film of the 21st century —but it began it’s life as a TV pilot for ABC. Like ...

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