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- Best sound editing Winner: Ford v Ferrari - Donald Sylvester Joker - Alan Robert Murray 1917 - Oliver Tarney & Rachael Tate Once Upon A Time in Hollywood - Wylie Stateman Star Wars: The Rise of Skywalker - Matthew Wood & David Acord Best sound mixing Winner: 1917 - Mark Taylor & Stuart Wilson
www.bbc.com/news/entertainment-arts-51093954
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Apr 29, 2020 · Motion Picture Sound Editors have the Golden Reels, which splits sound editing into disciplines including Best Dialogue/ADR, Best Sound Effects/Foley, and Best Music Underscore (music...
- Chris O'falt
Jan 25, 2020 · Oscars 2020: Best Sound Mixing Predictions. "Ford v Ferrari" and "1917" are running neck and neck in the Oscar race for sound mixing. Updated 1/25/20.
- Bill Desowitz
Apr 29, 2020 · Ai-Ling Lee was nominated for both sound editing and mixing Oscars for “La La Land.” A new Academy rule change consolidates the two categories into one for the 2021 awards: Achievement in...
Jan 31, 2020 · The Oscar-nommed sound editors gather the sounds — and again, these nominees range from work on everyday life events to outer space adventures: “Ford v Ferrari” (Donald Sylvester), “Joker”...
- Jazz Tangcay
Oscar Isaac and Salma Hayek present Mark Taylor and Stuart Wilson with the Oscar for Best Sound Mixing for his work on “1917” at the 92nd Oscars in 2020.#Osc...
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- Oscars
Moments after “Parasite” won the Oscar® for Best Picture during the live ABC Telecast of The 92nd Oscars®. Taika Waititi poses backstage with the Oscar® for Adapted Screenplay during the live ABC Telecast of The 92nd Oscars®. Hildur Guðnadóttir accepts the Oscar® for Original Score during the live ABC Telecast of The 92nd Oscars®.
Feb 7, 2020 · What's the difference between sound editing and sound mixing? What constitutes good makeup? To enhance your viewing experience during the 92nd Academy Awards, we asked local experts to...