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  1. Feb 19, 2015 · After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and referential musical metaphor; the problem of metaphor in music or metaphor about music).

    • Mihailo Antovic
    • 2015
  2. Feb 17, 2015 · After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and referential musical metaphor; the problem of metaphor in music or metaphor about music).

  3. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical...

  4. “To think, talk, or write about music is to engage with it in terms of something else, metaphorically. Music moves, it speaks, paints an image, or fights a battle.“ (Spitzer 2004: 1) Overview. Research Questions. Introduction: Theoretical Framework. Metaphor and Music: Two Levels. Analysis. Discussion. Conclusion. Research Questions.

  5. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical...

  6. May 31, 2022 · With an aim to suggest that the use of metaphor at the same time constrains the broad array of musical interpretations and allows for vast creativity in the music reception process, the model proposes six hierarchically interrelated levels of meaning generation that motivate musical metaphor, spanning perceptual constraints, cross-modal ...

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  8. Dec 21, 2015 · In Metaphor and Musical Thought, Spitzer begins to fill this gap in nuanced and interesting ways that may well guide future reflection. The result is not only a stimulating explication of the bases of meaning formation in music, but a critical commentary on contemporary debates.

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