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  1. Feb 19, 2015 · After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and referential musical metaphor; the problem of metaphor in music or metaphor about music).

    • Mihailo Antovic
    • 2015
  2. Feb 17, 2015 · This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first highlighted. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical ...

  3. a low and high tone (spanning one octave); a soft and loud tone, a series of five tones in a major scale played at a fast and slow tempo; two groups of two tones covering different tonal “ranges ...

  4. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical ...

  5. May 31, 2022 · Just like the linguistic one, the musical metaphor is meant to connote, at the very least, strength, bravery, leadership, and a touch of menace. If it appeared a bit detailed, the musico-metaphorical analysis above has actually skipped many minute niceties by means of which the music weaves its programmatic narrative.

    • antovicm@hu-berlin.de
  6. trinsic metaphoricity of linguistic expression per se. (See also de Man 1978 on catachresis.) Rather than focusing on an opposition between dead and "live" metaphors, metaphor theory now speaks of the lexicalization and grammaticalization process of language (Goatly 1997). 5. Similes are metaphors. Whereas the rhetorical tradition had insisted

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  8. Dec 21, 2015 · "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University ...

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