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  1. Feb 19, 2015 · After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and referential musical metaphor; the problem of metaphor in music or metaphor about music).

    • Mihailo Antovic
    • 2015
  2. METAPHOR IN TEXTS ON MUSIC. Nina Julich, Leipzig University. nina_julich@yahoo.de. “To think, talk, or write about music is to engage with it in terms of something else, metaphorically. Music moves, it speaks, paints an image, or fights a battle.“ (Spitzer 2004: 1) Overview. Research Questions. Introduction: Theoretical Framework.

  3. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical...

  4. Feb 17, 2015 · After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical conceptualization and metaphorization; absolute and referential musical metaphor; the problem of metaphor in…. Expand.

  5. After this, the author defines several dichotomies whose clarification may be useful in the theoretical research of musical metaphoricity (intrinsic and extrinsic metaphors; musical...

  6. May 31, 2022 · The present paper uses the cognitive-linguistic theories of conceptual metaphor and conceptual blending and the author’s proposal for a “multilevel-grounded semantics” to suggest that the form/content dichotomy in music is in fact a matter of degree.

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  8. Modern cognitive science offers a corresponding dichotomy of models in musical thinking: discrete (unconscious) and non-discrete (rational, conscious). The two models laid the foun-dation for modern psycholinguistics.

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