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‘Our England is a garden that is full of stately views, / Of borders, beds and shrubberies and lawns and avenues’. So begins ‘The Glory of the Garden’, a classic poem about English gardens from one of the most popular poets of the late nineteenth and early twentieth centuries, Rudyard Kipling (1865-1936). ‘The Glory of…
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- The Glory Of The Garden
- Summary
- Poetic Techniques
- Analysis of The Glory of The Garden
The poem begins with the speakerdescribing England as a garden with “stately views”. It has beautiful shrubs and peacocks, but there are also tool sheds and more practical structures. In amongst these sites, a visitor will see the gardeners, every one of which has a different job that is suited perfectly for them. Some might tend to the growing pla...
The latter, alliteration, occurs when words are used in succession, or at least appear close together, and begin with the same letter. A great example is part of the refrain, which is also the title, “the Glory of the Garden”. Kipling also makes use of anaphora, or the repetitionof a word or phrase at the beginning of multiple lines, usually in suc...
Stanza One
In the first stanza of this poem, the speaker begins by referring very simply to England as a garden. It is “full of stately views,” meaning that from a number of different places a visitor or resident can see wonderful and beautiful things. Kipling uses simple language to describe the features of these views. There are “statues on the terraces and peacocks strutting by”. The peacock in the garden is a very obvious symbolof wealth that also connects this piece to gardening as a pleasure affor...
Stanza Two
In the second stanza he adds that behind all the beautiful vine-covered walls and around the corners, a visitor can find the “tool- and potting-sheds”. These serve as the garden’s heart as it is from there that life is organized. He goes on, describing how there are other structures one can see too. Such as “cold-frames and the hot-houses”. There are less attractive sights too, the “dung-pits and the tanks”.
Stanza Three
The third stanza, for the first time, introduces humans into the mix. There are the “gardeners,” those that tend to and make sure the garden remains, glorious. A reader shouldn’t forget that this entire poem is an extended metaphorthat speaks on England as a place of wonder in which beautiful things are tended to and grow. Therefore, the gardeners represent all the working people of the city, each with a different task. They “do as they are bid and do it without noise”. This suggests that eve...
- Female
- October 9, 1995
- Poetry Analyst And Editor
Kipling refers to these various connotations in his poem, but insists that the true glory of the garden lies elsewhere. [verse 1] Our England is a garden … more than meets the eye. Kipling is almost certainly alluding to a popular poem and song of the Victorian age called “The Homes of England” by Felicia Hemans.
The Glory of the Garden. 1. Our England is a garden that is full of stately views, Of borders, beds and shrubberies and lawns and avenues, With statues on the terraces and peacocks strutting by; But the Glory of the Garden lies in more than meets the eye.
Our England is a garden that is full of stately views, Of borders, beds and shrubberies and lawns and avenues, With statues on the terraces and peacocks strutting by; But the Glory of the Garden lies in more than meets the eye.
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Jan 16, 2019 · Rudyard Kipling (1865-1936) was a tireless experimenter with the short story form, a novelist, a writer who could entertain children and adults alike with such books as The Jungle Book, Plain Tales from the Hills, The Just So Stories, Puck of Pook’s Hill, and countless others.
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In ‘When Earth’s Last Picture Is Painted,’ Rudyard Kipling compares the new world to a painting and describes how the “last picture” will be drawn in the last days on earth. In this poem, Kipling paints a dystopian image of a world where the colors of the “old” have faded, and the “youngest critic” of art has died.
