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At first, Dante could only see the Empyrean symbolically. Now that he’s drunk from the river of light, he sees flowers as saints and the sparks of light as ministering angels. He also sees firsthand how the light of God is distributed, by God’s providence, throughout the universe.
Instead, he sees a robed, gentle, fatherly saint standing in her place. To Dante’s query, the soul points out that Beatrice has reoccupied her usual throne in the Empyrean. Gazing on her, Dante prays a prayer of thanksgiving for Beatrice’s gracious guidance.
The Empyrean is the highest sphere of Heaven, in which God, the angels, and the saints dwell. The Empyrean is the summit of Dante ’s journey through the afterlife, and it’s in this light -filled space that he experiences a firsthand vision of God.
Dante must penetrate the eternal, divine light to view the underlying order of the universe. To convey the magnificence of this vision that so exceeds his powers of recollection, Dante compares his experience to phenomena known to be fragile or ephemeral (Par. 33.55-66).
Free summary and analysis of Paradise Canto XXXII: (Tenth Heaven: the Empyrean) in Dante Alighieri's Paradiso that won't make you snore. We promise.
Dante’s Paradiso – Canto 31. Dante now sees the whole of Heaven open itself to his sight like a great white rose. The saints, seated in their ranks, are attended by countless angels who, like bees among flowers, continually bring them the love of God from the center of that immense amphitheater.
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Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante 's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.