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  1. In doing so, it addresses two central issues in Hobbes scholarship: his relationship to republicanism, and his attitude toward rhetoric. Faced with criticisms of monarchy rooted in the monarch’s susceptibility to flattery, Hobbes defends monarchy by focusing on the benefits of its unitary character.

    • Daniel Kapust
  2. Given that flattery is a form of impression management and a persuasive tool in interpersonal communication, two experiments investigated the effect of a (fictitious) political candidate praising the audience during a meeting.

    • Daniel Kapust
  3. Oct 23, 2008 · Flattery is wrong inasmuch as it causes harm or leads to a violation of rights. But in and of itself, flattery does not seem to be a significant moral category. In contrast, more traditional virtue-oriented ethical thought does refer to it, at least in a cursory way.

  4. Chapter 3 – Persons of Mean and Vile Condition Chapter 4 – Tyranny Is Tyranny Chapter 5 – A Kind of Revolution Chapter 6 – The Intimately Oppressed Chapter 7 – As Long as Grass Grows or Water Runs Chapter 8 – We Take Nothing by Conquest, Thank God Chapter 9 – Slavery Without Submission, Emancipation Without Freedom

  5. en.wikipedia.org › wiki › FlatteryFlattery - Wikipedia

    Flattery, also called adulation or blandishment, is the act of giving excessive compliments, generally for the purpose of ingratiating oneself with the subject. It is also used in pick-up lines when attempting to initiate sexual or romantic courtship.

  6. What Does “I Am FlatteredMean? I am flattered means either you appreciate something that someone has said to you or think it was nice for them to say what they did. Usually, when using “I am flattered,” it means that you might not have the same feelings back to the person flattering you.

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  8. History and tradition, whether of ancient or comparatively recent times, are subjected to very different handling from that which the indulgence or credulity of former ages could allow. Mere statements are jealously watched, and the motives of the writer form as important an ingredient in the analysis of his history, as the facts he records.

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