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- Musical nuance refers to the subtle variations in dynamics, tempo, and expression that musicians use to convey emotion and character in a piece of music. These nuances can include slight changes in volume, the timing of notes, and the articulation techniques that enhance a performance's overall depth and feeling.
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This chapter applies science to unravel the seemingly indefinable elements of nuance, expression, and interpretation in music. Nuance is first defined as a subset of expression and is the manipulation of sound parameters to create music that sounds alive rather than flat and mechanical.
Dec 29, 2020 · NUANCES (shades). This word is used in music to denote the various modifications of time, force, and expression, which are the most prominent characteristic of modern music, whether indicated by the composer or inserted by the performer.
Feb 25, 2021 · This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the...
- I. Introduction
- II. Groove-As-Feel
- III. Groove-As-Movement
- IV. Genres, Performances, and Tracks
- V. Aesthetic Concepts and Genre
- VI. Conclusion
Groove is often called “the feel of the music” (Roholt 2014; Iyer 2002; Pressing 2002). A track with a groove is liable to compel us to tap our toes in time with the rhythm or to dance along, even if this is despite our better judgement. Groove, as a musical quality, is an important part of jazz and pop music appreciative practices. Groove talk is ...
One popular theory of groove posits the musical quality as “the feel of the music” that is constituted by the collected effects of various forms of musical nuance (especially with regards to microtiming). Versions of this theory are defended by philosopher Tiger C. Roholt, music theorist Vijay Iyer, and ethnomusicologist Charles Keil. While the thr...
The same nonvoluntary movement featured in Roholt’s account also plays a central role in the dominant attempt to operationalize groove as a measurable phenomenon in the empirical sciences. Many psychologists agree with musical nuance theorists that the starting point in an investigation of groove ought to be its phenomenological character but opera...
One interesting feature of these two different accounts of groove and the musical phenomena they pick out is that these differences seem to track differences between jazz and popular music appreciative practice. A standard distinction is made in the philosophy of music between the song, the track, and the performance. (Burkett 2015) As an example, ...
If the account I have so far given is correct, and our concept of musical groove picks out different musical features and for different reasons depending on genre, then we should wonder to what extent this might be true of other aesthetic concepts. To be clear, it is not just that some genres might have a higher threshold for attributing a certain ...
To briefly summarize, I have argued that music theorists, philosophers, and musicologists have sought to give an account of groove that takes the concept as it is understood in jazz practices (groove-as-feel) as paradigmatic. Meanwhile, psychologists have focused their efforts on investigating groove as it is understood in popular music appreciatio...
A musical nuance just is the nonstructural objective of a musician’s slight adjustment: a brightened interval or 7 a leaning groove. A musical nuance is not the varied note itself, characterized in terms of direct description.
A musical nuance is typically defined as a note performed slightly raised or lowered in pitch or slightly early or late in time (music theorists and cognitive psychologists prefer the term 'expres sive variation'). A cellist or vocalist may perform a raised A-natural that we perceive to be slightly high yet not high enough to perceive as an A
