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  1. Alone on stage, Pseudolus boasts of his ability to carry about schemes. Soon Pseudolus encounters Harpax, the Macedonian soldier’s slave, who is looking for Ballio. Pseudolus pretends to be Ballio’s slave, Surus, and tells Harpax he can leave the money for Phoenicium with him. Harpax refuses, but he does leave a sealed letter from his master.

  2. en.wikipedia.org › wiki › PseudolusPseudolus - Wikipedia

    Pseudolus is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature. Pseudolus was first shown in 191 B.C. during the Megalesian Festival, [1] which was a celebration for the Greek Goddess Cybele. [2] The temple for worship of Cybele in Rome was completed during the same year in time ...

  3. Pseudolus is frustrated that Simo’s knowledge of his plan presents an unexpected complication. Noticing Pseudolus, Simo tells Callipho he wants him tortured; Callipho tells him to ask about the rumors. In response to Pseudolus’s witty comments, Simo notes that Pseudolus is “high and mighty” (458); Callipho agrees there is “no lack of ...

  4. Play begins with. speaker who warns audience that the play will be long and they will need to stretch their legs. Pseudolus. The clever slave in Plautus' "Pseudolus." Helped his master get his prostitute girlfriend and made money in the process. Simia. the slave that Pseudolus and Charinus go to for help who pretends to be the macedonian ...

  5. Sep 5, 2023 · Pseudolus is a comedy with many elements of farce. While it pokes fun at the individual characters’ foibles, and its action hinges on stock devices such as deceit, disguise, and mistaken ...

  6. Sep 5, 2023 · Summary. Pseudolus was written by Titus Maccius Plautus and is one of the oldest plays that survives from ancient Rome. The play begins with a warning that it’s long. After that, the story opens ...

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  8. Pseudolus appears toward the end of the play highly intoxicated and in a mood to celebrate, and it is in keeping with the tone of the play that Simo cannot resist being proud of his slave’s wily ...