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1. news.law.fordham.edu › blog › 2020/07/16Cultural Appropriation Was Always Inexcusable - Fordham Law News

   news.law.fordham.edu › blog › 2020/07/16

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   Jul 16, 2020 · Susan Scafidi, the academic director of Fordham University’s Fashion Law Institute and a Yale Law School alum, defines cultural appropriation as taking intellectual property, traditional knowledge, cultural expression, or artifacts from another culture without permission.

2. highschool.latimes.com › charter-oak-high-schoolOpinion: The irony or cultural appropriation - HS Insider

   highschool.latimes.com › charter-oak-high-school

   Feb 8, 2016 · “Cultural appropriation” as described by Susan Scafidi, a law professor at Fordham University, is “taking intellectual property, traditional knowledge, cultural expressions, or artifacts...

3. news.law.fordham.edu › blog › 2018/03/10The Illogic of Cultural Appropriation - Fordham Law News

   news.law.fordham.edu › blog › 2018/03/10

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   Mar 10, 2018 · Susan Scafidi was quoted in a Juneau Empire article about cultural appropriation. Fordham law professor Susan Scafidi defines cultural appropriation as “taking intellectual property, traditional knowledge, cultural expressions or artifacts from someone else’s culture without permission including … dance, dress, music, language, folklore ...

4. www.nytimes.com › 2017/06/14 › opinionOpinion | In Defense of Cultural Appropriation - The New York ...

   www.nytimes.com › 2017/06/14 › opinion

   Jun 14, 2017 · Susan Scafidi, a law professor at Fordham University, defines it as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without...

5. events.asucollegeoflaw.com › copyrightsymposium › wp-contentSusan Scafidi, WHO OWNS CULTURE APPROPRIATION AND ...

   events.asucollegeoflaw.com › copyrightsymposium › wp-content

   In writingWho Owns Culture?, I have found that questioning the ownership and authenticity of “cultural products”—whether cuisine, dress, music, dance, folklore, handicrafts, images, healing arts, rituals, performances, natural resources, or language—seems guaranteed to produce the sort of mild indignation often caused by the discussion of

6. www.realclearpolicy.com › 2020/01/08Multiculturalism, or Cultural Appropriation? - RealClearPolicy

   www.realclearpolicy.com › 2020/01/08

   Jan 8, 2020 · According to law professor Susan Scafidi, author of Who Owns Culture? Appropriation and Authenticity in American Law, cultural appropriation consists of “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else's culture without permission.

7. People also ask

   What is culture appropriation?

   • In the case of culture, however, what is called appropriation is not theft but messy interaction. Writers and artists necessarily engage with the experiences of others. Nobody owns a culture, but everyone inhabits one, and in inhabiting a culture, one finds the tools for reaching out to other cultures.

   In Defense of Cultural Appropriation - The New York Times

   www.nytimes.com/2017/06/14/opinion/in-defense-of-cultural-appropriation.html

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   What do critics of cultural appropriation want?

   • Critics of cultural appropriation insist that they are opposed not to cultural engagement, but to racism. They want to protect marginalized cultures and ensure that such cultures speak for themselves, not simply be seen through the eyes of more privileged groups. Certainly, cultural engagement does not take place on a level playing field.

   In Defense of Cultural Appropriation - The New York Times

   www.nytimes.com/2017/06/14/opinion/in-defense-of-cultural-appropriation.html

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   Is cultural appropriation blasphemy?

   • The accusation of cultural appropriation is a secular version of the charge of blasphemy. It’s the insistence that certain beliefs and images are so important to particular cultures that they may not appropriated by others. This is most clearly seen in the debate about Ms. Schutz’s painting “Open Casket.”

   In Defense of Cultural Appropriation - The New York Times

   www.nytimes.com/2017/06/14/opinion/in-defense-of-cultural-appropriation.html

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   Did Lionel Shriver defend cultural appropriation?

   • Last year, the novelist Lionel Shriver generated a worldwide storm after defending cultural appropriation in an address to the Brisbane Writers Festival.

   In Defense of Cultural Appropriation - The New York Times

   www.nytimes.com/2017/06/14/opinion/in-defense-of-cultural-appropriation.html

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   Would Elvis have been prevented from appropriating black music?

   • Elvis was feted, Mr. Berry and other black pioneers largely ignored. Racism defined who became the cultural icon. But imagine that Elvis had been prevented from appropriating so-called black music. Would that have challenged racism, or eradicated Jim Crow laws? Clearly not.

   In Defense of Cultural Appropriation - The New York Times

   www.nytimes.com/2017/06/14/opinion/in-defense-of-cultural-appropriation.html

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8. www.degruyter.com › document › doi1. The Commodification of Culture - De Gruyter

   www.degruyter.com › document › doi

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   Scafidi, S. (2005). 1. The Commodification of Culture. In Who Owns Culture?: Appropriation and Authenticity in American Law (pp. 5-12). Ithaca, NY: Rutgers University Press. https://doi.org/10.36019/9780813537856-003