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During the “Maestoso” and “Poco Adagio” sections, the organist plays low pedal notes which are almost inaudibly low. In the finale, these low notes combine with rumbling timpani to create a thunderous bottom end, and the organist reiterates the plainchant-derived themes of the symphony to add to the overwhelming effect.
Maestoso (Italian pronunciation: [ma.eˈstoːzo]) is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such.
Feb 17, 2021 · The organ’s first entrance emerges out of silence, ushering us into the warm, quiet serenity of the Poco adagio (10:45) and the distant, veiled key of D-flat major. The expansive theme unfolds as an intimate, prayerful chorale.
Orpha Ochse provides descriptions and specifications of instruments representative of the various periods of organ building: from the small tracker-action organs built by the colonists to the electropneumatic monsters of the early twentieth century to today's repertoire-oriented instruments.
- Orpha Ochse
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Maestoso contributes to the emotional impact of a musical piece by introducing a sense of grandeur and dignity. When performed as indicated, it evokes feelings of nobility and importance, helping to elevate dramatic moments within the music.
Mar 31, 2016 · This article offers a short commentary on the “state of play” in early childhood music education research to accompany the articles published in this special issue.
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An “old style” orchestration of divided violas and cellos, and wind instruments as the sound of an organ, lead to a choral hymn that first drops “headlong” to its knees in supplication, then gradually rises upwards to seek the Creator in the heavens.
