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  1. During the “Maestoso” and “Poco Adagio” sections, the organist plays low pedal notes which are almost inaudibly low. In the finale, these low notes combine with rumbling timpani to create a thunderous bottom end, and the organist reiterates the plainchant-derived themes of the symphony to add to the overwhelming effect.

  2. Mar 2, 2024 · Summary. Allegro ma non troppo e un poco maestoso. Molto vivace – Presto [etc.] Adagio molto e cantabile – Andante moderato [etc.] Presto …. Allegro assai …. Allegro assai vivace: alla Marcia – Andante maestoso [etc.] Earliest ideas. Beethoven’s Ninth Symphony, sometimes known as the ‘Choral’, belongs in a different world from ...

  3. en.wikipedia.org › wiki › MaestosoMaestoso - Wikipedia

    Maestoso (Italian pronunciation: [ma.eˈstoːzo]) is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such.

  4. The Maestoso is introduced by a full C major chord in the organ: Piano four-hands is heard at the beginning with the strings, now playing the C major evolution of the original theme. The theme is then repeated in powerful organ chords, interspersed with brass fanfares.

  5. Organist Michael Murphy further observes that the four voices of the organ (strings, principals, flutes and reeds) enabled Saint-Saëns to double the tone colors of the orchestra's strings, winds, brass and percussion, thus vastly expanding the variety of instrumental nuances available for his use.

  6. Nov 1, 2008 · New efforts have highlighted various aspects of Bach's oeuvre for the organ, including the music that he copied as a youth, works of doubtful authenticity, vivid interpretations on historical organs of the 18th century, and skilful adaptations of his trio sonatas and Goldberg Variations.

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  8. Maestoso - Allegro. No. Now it erupts, with all the force of a volcano! In the finale, we find that everything comes to fruition: the themes we have heard gestating now blossom in sonorous splendour, the pianist gets a sparkling partner, and the organ’s might is triumphantly integrated with the orchestra’s - what a team they make!