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- Most of what viewers see in Mulholland Drive is actually a dream that occurs inside Diane's head, where her distressing reality is replaced by fabricated fantasies. In this dream, she becomes Betty, an innocent young actress with a promising future ahead, and Camilla is Rita, a woman who got involved in a car crash and lost all her memories.
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Jan 29, 2022 · Out of jealous contempt, Diane hires a hitman to kill Camilla, but after the hit is actually carried out, Diane’s reality collapses upon her, causing her to fabricate a dream world in which all...
- Features Writer / List Editor
Apr 7, 2021 · If you've seen Mulholland Drive, the dreamlike Hollywood tragedy that earned Lynch his third Best Director Oscar nomination, your first question as the credits rolled was almost certainly...
- What Happens in Mulholland Drive's Ending
- Are Diane & Betty The Same person?
- The Audition & Theater Scenes Explained
- The Blue Key Explained
- Who Is The Real Villain in Mulholland Drive
- The True Meaning Behind Mulholland Drive's Ending
Mulholland Drivetakes a puzzling turn in its final minutes, deconstructing everything it has built so far. Betty (Naomi Watts) and Rita (Laura Harring) disappear, and now the story revolves around Diane Selwyn, a struggling actress who looks exactly like Betty. She wakes up in the same apartment where Betty and Rita found the dead woman, and she re...
Most of what viewers see inMulholland Driveis actually a dream that occurs inside Diane's head, where her distressing reality is replaced by fabricated fantasies. In this dream, she becomes Betty, an innocent young actress with a promising future ahead, and Camilla is Rita, a woman who got involved in a car crash and lost all her memories. Diane's ...
Betty's audition scene is closely related to the scene where Rita and Betty watch a performance at Club Silencio. The audition is such a turning point because it probably represents the moment the real Diane realized her dreams wouldn't come true, unlocking valuable clues about Mulholland Drive’s true meaning. Immediately after Betty's successful, ...
The dream version of Joe (Mark Pellegrino), the hitman, is a clumsy man who nearly messes up his mission entirely. The whole office scene in which a simple hit turns into a chaotic chain of events represents Diane's wishes for Camilla's hit to go wrong. Her subconscious makes out Joe as an incompetent killer and lighten the violence that surrounds ...
The dumpster monster is the key to realizing that Diane is Mulholland Drive's true villain. When the creature appears later on holding the blue box, one can assume that the monster is the personification of Diane's ugly part. The scene in which the monster first appears is directly linked to Diane ordering Camilla's death, thus the moment the monst...
In Mulholland Drive's ambiguous ending, it's funny how much of reality translates into a dream and vice-versa. For example, the cowboy character (Monty Montgomery) tells Adam he'll appear two more times if things go bad, and that's exactly what happens when the truth about Diane begins to unfold: although he's just a random guy at a party, he break...
Jul 5, 2018 · The most obvious explanation of the movie is that the actress Betty is actually Diane Selwyn. The first two-thirds of the film is actually a perfect fantasy that is created by Betty (Diane) played by Naomi Watts. In the real world, she is depressed, washed up and suicidal.
I understood the first viewing that there's a clearly valid reading of the film where what happens in the final third is 'reality' and the first two thirds is Naomi Watts' dream, projected by repressed guilt and heartbreak and her still-burning desire to be a star.
This mini-tale fits perfectly with the "bookend" imagery that provides the framework for this entire film: The gasping unseen female dreamer in the bedroom at the beginning of the film...who dies in the blackness of her own pillow at the end of the movie.
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Jul 26, 2020 · Perhaps the most common reading of Mulholland Drive is that the first half of the movie is a dream. It’s all over the place, it doesn’t make sense, and like the glitz of the town it explores, it’s not restricted by the need to be realistic.
