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Jul 5, 2018 · The most obvious explanation of the movie is that the actress Betty is actually Diane Selwyn. The first two-thirds of the film is actually a perfect fantasy that is created by Betty (Diane) played by Naomi Watts. In the real world, she is depressed, washed up and suicidal.
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Apr 7, 2021 · Mulholland Drive becomes more real, not less, during its ending. Universal Pictures. The central conceit of Mulholland Drive is to paint the ultimate picture of Los Angeles as a city of...
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According to one of the most common - and surprisingly coherent - interpretations of Lynch’s film, the first part of Mulholland Drive is best understood as a dream sequence, in which elements of the ‘real’ story are explored in heightened or distorted ways, until the protagonist Diane wakes up. It’s a clever play, too, on Hollywood as a dream facto...
Just before the film’s opening credits, we see a bed with red sheets, arguably our first hint that what is about to unfold is happening in the dream world; the same bed and sheets are later seen when Betty and Rita visit the apartment with the dead body, and then again when Betty / Diane wakes from the dream. The character Louise, the next-door nei...
One way of looking at Mulholland Drive’s first section is as a comment on Hollywood movie-making, and how the industry can flatten stories and characters into easily digestible tropes and characters as a way of making sense of the world. It follows then, that both Betty and Rita, the dream versions of the more fraught and complicated Diane and Cami...
We first meet Rita when she is sitting in the back of a limo, and is surprised when the driver pulls over at an unexpected stop along Mulholland Drive, up in the Hollywood Hills. A man in the front of the car pulls out a gun, and it seems that he is about to shoot her - perhaps foreshadowing Camilla’s actual death offscreen at the hands of the hitm...
In the film’s first section, Joe (Mark Pellegrino) is a clumsy hitman who messes up an attempt to steal a little black book, killing not only the target but a woman in the next room, and the janitor who witnesses the murder, before triggering the fire alarm. It’s a darkly comic sequence where the slapstick humour sits unsettlingly alongside the spa...
Towards the beginning of the film, a man named Dan, who is sitting in a Winkie’s diner, explains that he had a nightmare where he saw a terrifying figure behind the same restaurant. When he checks around the back, the strange man appears, causing him (and probably viewers of a nervous disposition) to collapse in fright. The same man appears again t...
We first meet Betty when she emerges from LAX airport, accompanied by an old lady, who we soon learn is named Irene, and an elderly man. The pair reiterate how nice it was to travel with Betty, and wish her well in her attempts to crack Hollywood, promising to watch out for her “on the big screen”. It seems like a sweet farewell, but this is a Lync...
Cornered by the vision of the old couple, Diane reaches into a drawer to pull out a gun, then shoots herself. After Diane dies and everything fades to black, we see her and Camilla’s - or should that be Betty and Rita’s? - smiling faces superimposed over the bright lights of Los Angeles. It’s reminiscent of an old-fashioned movie poster, as if Dian...
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May 7, 2010 · Mulholland Drive is the location of Rita's accident in the dream sequence, whereas in real life the limo ride culminated in the dinner party where Camilla and Adam Kesher announced their engagement in front of Diane.
Feb 6, 2023 · Mulholland Drive takes a puzzling turn in its final minutes, deconstructing everything it has built so far. Betty (Naomi Watts) and Rita (Laura Harring) disappear, and now the story revolves around Diane Selwyn, a struggling actress who looks exactly like Betty.
Jan 21, 2024 · There are several interpretations of Mulholland Drive 's ending, but it becomes clear that the first part of the movie is Diane Selwyn's (Naomi Watts) dream world and the second part is what is...
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Jul 28, 2023 · Compared to Lost Highway, the story of the events on Mulholland Drive is intimate, complete, and although not linear, it is orderly. It has its careful external construction and is arranged according to all the laws of logic, although – beware! – dream logic.
