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Aug 16, 2017 · The word genre is one of the most used words to classify and describe film. It is used as a marketing label, it is used as an analytical tool and it is important concept for understanding the ...
- A psychology of the film | Humanities and Social Sciences ...
The cinema as a cultural institution has been studied by...
- A psychology of the film | Humanities and Social Sciences ...
May 2, 2024 · Genre in cinema is a multifaceted concept encompassing artistic, commercial, and ideological dimensions. It serves as a roadmap for filmmakers and audiences, guiding the creation and consumption of films. As cultures and technologies evolve, so do the genres that resonate with audiences, reflecting broader trends in society and the arts.
Jul 3, 2018 · The cinema as a cultural institution has been studied by academic researchers in the arts and humanities. At present, cultural media studies are the home to the aesthetics and critical analysis of ...
- Ed S. Tan, Ed S. Tan
- e.s.h.tan@uva.nl
- 2018
1. Film Genre as Aesthetic Experience and Cultural Instance 2. Theoretical Problems in Dealing with Film Genres 3. The Regulatory Function of Genres 4. Modelling the Ways Classical Genres Achieve Effects 4.1. Estrangement and Comedy 4.2. Pathos and Drama 4.3. Catharsis and Tragedy 5. Applications of the Model 5.1. Summarized Hypotheses on ...
Aug 25, 2022 · London and New York: Routledge, 2006. Drawing on the later philosophy of Ludwig Wittgenstein and work in second-generation or “embodied” cognitive science, this volume offers a detailed and subtle analysis and critique of a variety of ways in which the concept of “the camera” has been used in film theory. Recommended for advanced students.
Marketers, filmmakers, and cinema-goers assume that genre has a large effect on how the audience responds to and engages with a film. However, trait measures such as transportability suggest that, in some cases, individual differences may shape audience engagement more than genre does. To investigate this disparity, we compared viewers’ enjoyment, identification with characters, and story ...
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The psychology of the film as a subdiscipline of academic psy-chology really took off in the late 1970s. Münsterbergs broad ’ agenda that had been scattered across isolated studies of mainly ...
