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  1. Piero Coppola, Grand Orchestre Symphonique du Gramophone (1930, 33’, Lys CD) As part of his pioneering series of initial inscriptions of the core French orchestral repertoire, Coppola’s Organ Symphony is a fine, largely idiomatic introduction to the work, with an overall light touch and shapely phrases. Well-paced and energetic, its strong ...

  2. The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. [1] It is popularly known as the Organ Symphony, since, unusually for a late-Romantic symphony, two of the four movements use the pipe organ. The composer inscribed it as: Symphonie No. 3 "avec orgue" (with organ).

  3. Oct 18, 2024 · What [he had] here accomplished, [he] will never achieve again.” Now, Saint-Saens’ Symphony No. 3 or “OrganSymphony is known as one of the most significant and technically revolutionary orchestral works. The symphony opens with an ominous slow introduction, leading into the opening themes of the movement after this short prelude.

  4. Nov 9, 2021 · For a new kind of symphony, Saint-Saëns needed a new orchestra, which he achieved with the introduction of organ, piano and the Lisztian triangle. While he waxed hot and cold over Wagner in print, the lush harmonies of the symphony's Adagio would be unimaginable without the recent example of Parsifal's Good Friday Meadows.

  5. Whatever the subject, it seemed that Saint-Saëns was an expert at it. His Symphony No. 3 is probably best understood as a ‘Symphony with added organ’, because only two of its four movements feature the instrument. it’s a magnificent work, with the composer saying he was writing to his limits: ‘I gave everything to it I was able to give.

  6. The rest of the Kansas City Symphony’s performance of the “OrganSymphony is very good too. Conductor Michael Stern leads a sort of middle-ground performance. It’s not a hyper-exciting, onslaught-of-energy account, of the sort that Charles Munch might lead ( review ~ review ~ review ), but it’s also never boring, not even for a second.

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  8. He introduces the piano as well as the organ into his symphony producing an ingenious work for four hands alongside the orchestra. The organ’s introduction is especially subtle, and beautifully crafted, whilst the theme itself – based on the old Latin plainchant Dies Irae – is revealed in both major and minor keys throughout the symphony until fully and thrillingly performed by the ...

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