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  1. The second chapter devotes itself to a series of in-depth analyses of selected hybrid works with the goal of distilling the compositional approaches of successful and unsuccessful examples. The third chapter considers the extra-musical parameters that affect how we think about genre and how these are particularly important to consider when discussing hybrid genres of music.

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      The Order of Pitches: Music Theory, Science, and Western...

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  2. Cross-cultural hybridity in music composition. awritten 1998, unpublishedChristopher AdlerThe act. of composing is an engagement with hybridity. Every composer must mediate between the diverse influences, intentions, theories, and emo. ions impinging upon the compositional moment. For some composers these mediations may be relegated to the ...

  3. HybridsandFragments Music, Genre, Culture and Technology Author Justin Mark GAGEN Supervisor Dr. Christophe RHODES Thesis submitted for the degree of DoctorofPhilosophy

  4. Jan 1, 2017 · Türkiye. bilal.suslu@ege.edu.tr. ABSTRACT. Every culture is authentic for its generation but change and transformation are the. dominant elements of culture in the musica l studies that are ...

  5. Dec 31, 2019 · Abstract and Figures. Technologies are fundamental to music and its marketing and dissemination, as is the categorisation of music by genre. In this research we examine the relationship between ...

    • Justin Gagen
  6. Jan 1, 2018 · Music genre classification (MGC) is an indispensable branch of music information retrieval. With the prevalence of end-to-end learning, the research on MGC has made some breakthroughs.

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  8. Of course, manifestations of hybrid- ity have long been prevalent in music: Adorno (1936) famously described jazz as ‘the amalgam of the march and salon music’. The emerging genres, styles and hybrids of music that flourish in the technological conditions of the networked society have been extensively documented: Goodman (2010), for example, acknowledges the new genres of remix, mashup ...

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