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  1. May 31, 2021 · This dialogic approach includes revisiting conventional art history topics, approaches and study objects, in resonance with new scenography theory. The art form of gardening provides an apt example of what a scenographic – multisensory and holistic – approach can contribute to art history.

    • Astrid von Rosen
    • 2021
  2. Jul 5, 2022 · Scenography is an ideology and method for exhibition making that emphasises the audience’s experience of the exhibition as a coherent entity. In the exhibition context, therefore, artworks are produced as an integral part of the scenography.

  3. This dialogic approach includes revisiting conventional art history topics, approaches and study objects, in resonance with new sce-nography theory. The art form of gardening provides an apt example of what a sceno-graphic – multisensory and holistic – approach can contribute to art history. As gardens are eventful, durational occurrences,

    • Astrid von Rosen
    • 2021
  4. May 31, 2018 · One could ask, 'what is art sociology'? Or, 'what can sociologists contribute to the understanding of art'? Sociologists of art sometimes lack a formal artistic education, something they are often criticized for, and 'theories' often get a bad rap for being too general and non-applicable/non-helpful to practical situations, artistic or otherwise.

  5. This article challenges the assumption in a classical sociology of art that artworks are created in the artist’s studio as independent and self-sufficient objects. Given that artistic production me...

  6. Sep 24, 2013 · Scenography is the many-layered environment of a performance that creates spatial contexts and activates positioning.’. In contemporary performance, scenographies are often performative environments that are designed not in the sense of being built but of being edited – selected, determined and curated.

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  8. The sociology of art, especially as it addresses itself to modern and contemporary art, has been dominated by a 19th century viewpoint that emphasizes the social and psychological alienation of the modern artist and the oppositional role of modern art.

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