Search results
May 31, 2021 · This dialogic approach includes revisiting conventional art history topics, approaches and study objects, in resonance with new scenography theory. The art form of gardening provides an apt example of what a scenographic – multisensory and holistic – approach can contribute to art history.
- Astrid von Rosen
- 2021
nography theory. The art form of gardening provides an apt example of what a sceno-graphic – multisensory and holistic – approach can contribute to art history. As gardens are eventful, durational occurrences, felt and experienced with all senses, it can be argued that the multisensory methods and theories provided by ascenographic approach
- Astrid von Rosen
- 2021
Dorita Hannah, theatre architect, designer and academic, defines scenography as ‘The dynamic role design plays upon the stage, orchestrating the visual and sensory environment of performance’. 19 Although the visual aspect of scenography tends to dominate, it can also work with sound.
This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience.
- Joslin McKinney, Philip Butterworth
- 2009
‘A thrillingly multifaceted and innovative collection of cross-disciplinary case studies that unlocks the potentials of scenography as an overlooked sphere, concept and phenomenon in relation to art history as well as to other aesthetic disciplines.’.
Sep 10, 2021 · The interface of scenography and art history provides an apt context from which to re-map and re-think the underlying borders and anti-theatrical biases that frame scenographic cultures.
People also ask
What is a scenographic approach to art history?
Is scenography a marginalized sub-field of Art History?
What does scenography mean?
Why is scenography important?
What is scenography expanded?
Can scenography theory help art historians understand the mis en scène process?
In this article, I argue that the work done by artists such as Wilson and Greenaway should be seen as part of a long tradition where artistic/scenographic practices offer a strategy, helping museums to respond to new demands.
