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  1. In graphic design, symmetrical visuals are created with purpose and precision, and they can convey simplicity and formality that is removed from chaos.

    • What Is Symmetry (and Asymmetry)?
    • What Is Balance?
    • Symmetrical Balance
    • Asymmetrical Balance
    • Radial Balance
    • Balanced Mosaic
    • The Different Types of Symmetry
    • Examples of Balance in Art and Design
    • Wrapping Up

    When talking about balance and symmetry, both terms are often used interchangeably, but they are not the same. One might assume that symmetry and balance are synonymous in general. But there is much more to the idea of balance than symmetry when it comes to design principles. The visual quality of symmetry is the repetition of elements within an im...

    Balance determines the visual weight of your composition. It determines how each region of your design attracts the attention of the audience. There are four ways in which you can achieve balance in your design.

    When your composition has the same visual weight on both sides of an axis, you have achieved symmetrical balance. Visualize two identical mirror images facing one another on all sides of a central axis. Balance like this invokes grace and simplicity. Although attractive to the eye, it is also very predictable.

    A composition with asymmetrical balance has unequal weight on both sides. This visual technique, which has a large focal point on one side and several smaller, less interesting focal points on the other, is more visually intriguing than its symmetrical counterpart.

    Radial balance describes the way visual components spread outward from a central point. Key examples include the Target company logo, and the BMW, Mercedes-Benz, and Mitsubishi logos.

    Consider mosaic balance as organized chaos that, despite appearing to be noise because it lacks a clear focal point, creates balance. No single element predominates the composition; all elements share a similar emphasis.

    While balance is a design principle, symmetry is a tool to achieve balance. Here are the different types of symmetry you can implement in your design.

    The best way to understand balance (and how you can use symmetry and asymmetry to achieve that) is to have a look at some examples.

    Developing a new design for a product or branding can be a challenging task. But knowing the fundamental design principles help. For collaborative design development, workflow automation software like Artwork Flow can be quite useful. With tools like online scale or online color extractor, achieving visual balance becomes easier.

    • Rangan Das
  2. Aug 23, 2016 · Symmetry is a design approach that makes opposite sides of something the same. It is associated with the use of symmetrical shapes such as rectangles or circles. The term is also used for a design that has a feel of being balanced.

  3. Whenever we distribute compositional elements evenly around a central point or axis, we’ll make a symmetrical design. A good example of symmetry in nature is the butterfly; its right and left sides are highly similar to each other (although not identical). We find perfect symmetry when two mirrored sides are exactly the same.

    • Mads Soegaard
  4. Aug 11, 2022 · There are five types of balance in graphic design: symmetrical, asymmetrical, radial, mosaic and discordant. To recap, symmetrical balance is when the elements on each side of a composition are given equal in weight. Asymmetrical balance is when elements aren’t weighted evenly.

    • Jennifer Gaskin
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  5. In symmetrical design, elements can be mirrored along a vertical, horizontal, or diagonal axis, creating a sense of balance. This type of design is commonly found in nature, such as in the wings of butterflies or the structure of leaves, where symmetry contributes to their aesthetic appeal.

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  7. Apr 19, 2023 · Asymmetry and symmetry are two contrasting approaches to achieving visual balance in design. Asymmetry involves using different design elements arranged to achieve harmony. Symmetry relies on the equal distribution of visual elements, often through mirroring or repetition.

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