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  1. Aug 9, 2021 · Perhaps the most famous example is Beethoven (about whose metronome numerous articles have been written), whose own original markings have raised more than an eyebrow or two. And what of Robert Schumann, whose metronome markings were, for the most part, supplied by his wife? Even Brahms is a case in point.

  2. Take the third movement of the Moonlight Sonata for example. With the density of the notes, I am sure around 150-160bpm is sufficient for a presto agitato. Thus, the tempo indication should be considered in light of the 'feel' of the piece.

  3. Articulation is a key expressive tool in this piece, with legato phrases needing to be executed with control and sensitivity. The tempo marking Lento placido itself is a clear indicator of Liszt's intended reflective, peaceful demeanor, demanding a gentle approach to tempo and dynamics alike.

  4. Franz Liszt composed his Piano Concerto No. 1 in E ♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes.

  5. Oct 23, 2022 · In Liszt's Rhapsodie hongroise 2, there is also this cadenza ad libitum, suggesting that in Mazeppa too the pianist can introduce his/her own cadenza. However here, it's at the beginning: does this mean that there are specific constraints ?

  6. D. and finally, the opening theme is now played in a triple-condensed rhythm at lightening speed on the piano, with its tremendous momentum coming from first downward then ascending chromatic octaves, pushing the finale to climactic end:

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  8. Feb 24, 2024 · One of my absolute favourites is Liszts: Liebestraum No. 3, Notturno (Barenboim). This is an unbelievably emotional piece of music and displays all the sensitivity and depth of feeling associated with tempo rubato employed by an accomplished pianist.