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- Cultural Appropriation occurs within a framework of power imbalance, where the appropriating group often holds more social, economic, or political power than the culture from which they are borrowing. This imbalance can stem from historical colonisation, systemic discrimination, or economic disparity.
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Apr 3, 2023 · The literature on cultural appropriation identifies two distinct forms of cultural exchange under conditions of asymmetrical power relations: assimilation and exploitation (Rogers 2006). Assimilation is when members of a less powerful group (e.g., immigrants) use the elements of a more powerful group (e.g., indigenes).
Definition: Asymmetrical power relations encompass situations where power is unevenly distributed among different groups within a society or organisation. This inequality often stems from factors such as race, gender, socioeconomic status, ethnicity, sexual orientation, or ability.
Jan 1, 2024 · In this paper, we argue that cultural appropriation becomes evident when majority-group members exploit cultural elements from less powerful ethnic groups against their will, often for material or symbolic gains, without providing proper credit or demonstrating a deeper understanding of the culture.
Key Aspects of Cultural Appropriation. Power Dynamics: Cultural appropriation is inherently linked to power imbalances. The dominant culture often exploits the symbols and practices of marginalised groups without acknowledgment or understanding, leading to feelings of disrespect and exploitation.
Apr 26, 2023 · Similar to racist acts, appropriation takes advantage of a system of asymmetric race-based power relations to reinforce intergroup inequality (J. M. Jones, 1997).
Integral to the definition of cultural appropriation is an asymmetry of power between two cultures that involves the majority/dominant culture taking from the marginalised culture. This aspect of the more powerful taking from the less powerful is not emphasised enough.
Mar 2, 2022 · Examining this definition through a materialist lens, the wrong of cultural appropriation emerges as a function of the material inequalities on which it rests and which it in turn reproduces: the person who is ‘taking’ is different from the person who is ‘producing’ the object or good in question.
