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The writing style of Nathaniel Hawthorne is deeply symbolic and slightly dark-humored as befitting for a historic puritan reality that he mostly sought to portray. Hawthorne’s writing style is well grounded in traditional romance, and his scenic form - which includes descriptions of cultural country living, nature, troubled and haun...
Hawthorne’s aspect of American Romanticism exemplified the desire to explicate the qualities of human nature, such as its individuality, imagination, and intuition. Hawthorne, like other Romantics, explored the individual’s isolation from society by providing complex psychological portraits of his protagonists (Hurley 12).
Her image in the brook is a common symbol of Hawthorne's. He often uses a mirror to symbolize the imagination of the artist; Pearl is a product of that imagination. When Dimmesdale confesses his sin in the light of the sun, Pearl is free to become a human being.
Nov 26, 2019 · The stories are pervasively and often brilliantly symbolic, and Hawthorne’s symbolic imagination encompasses varieties ranging from more or less clear-cut allegory to elusive multiple symbolic patterns whose significance critics debate endlessly.
The higher intellect, the imagination, the spirit, and even the heart might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force and perhaps make new worlds for himself.
‘Young Goodman Brown’ is an 1835 short story by the American author Nathaniel Hawthorne. Inspired in part by the Salem witch craze of 1692, the story contains a number of powerful symbols. But how should we analyse the symbolism of the story?
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Hawthorn’s The Scarlet Letter has been marked by the proliferation of symbolic elements. Underlying these symbols is an array of themes – love, justice, grace, tragedy, vengeance, pain and suffering, just to name a few. This study has the task of examining its major symbols.