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Interactive computer music systems are those whose behavior changes in response to musical input. Such responsiveness allows these systems to participate in live performances, of both notated and improvised music. This text reviews a wide range of interactive systems, from the perspectives of several different fields.
- 1 Tools, Methods and Guidelines For The Design of Interactive Music Systems
- 2 Design For Technologically Mediated Audience Participation
- 3 Reflections on Historical Connections Between HCI and Music Interaction
- 5 Mathematical Theories of Rhythms as Challenges For Interaction Design
In Chap. 2 (“A Design WorkBench for Interactive Music Systems”) Malloch et al. (2019) consider how to design interactive musical systems for extreme users who are committed to developing their own instrumental expertise. Tools, methods and guidelines to assist in designing for this exacting user group are explored through a series of case studies. ...
Historically, audiences have had time-honoured but limited ways of participating in live music performances to influence the behaviour of performers. However, mobile, wearable and pervasive technologies have created new opportunities for such interactions. Designing such systems can be challenging, as it is easy to unintentionally disturb balances ...
The first of the book’s five interviews, Chap. 4 (“The Poetry of Strange Connections: an Interview with Bill Verplank”) considers the career of HCI pioneer Bill Verplank (McPherson and Verplank 2019). Verplank’s career as a designer stretches from the earliest days of human computer interaction at Stanford and MIT (when it was known as ‘man machine...
Design challenges arise in the transformation of theories about aspects of music from mathematics (Prechtl et al. 2009; Milne et al. 2011) physics and cognitive psychology (Holland et al. 2016; Bouwer et al. 2013) into useful interactive tools for composers, performers and learners. In Chap. 6 (“XronoMorph: Investigating Paths Through Rhythmic Spac...
- Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley, Marcelo M....
- 2019
Jan 23, 2017 · In this class, we learn how to write computer code that enables us to interact meaningfully with music. Every semester, my students present their interactive music systems for the public....
Apr 1, 2014 · To contribute to a possible answer, we conducted a longitudinal study with an interactive music system, called the Music Paint Machine. This innovative system allows a musician to make a digital painting by making various movements while playing music.
- Luc Nijs, Marc Leman
- 2014
Jul 22, 2006 · We present an overview of developments towards interactive musical systems. A description of an interactive system is given and we consider potential uses for the automation of creative...
Mar 16, 2022 · Here, I argue that music is best conceptualized as an interactive technology, and propose a coevolutionary framework for its emergence. I present two basic models of attachment formation through behavioral alignment applicable to all forms of affiliative interaction and argue that the most critical distinguishing feature of music is entrained ...
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A general conceptual model is introduced that forms a basis to frame and understand a vast number of music-based interactive systems. In this model, we consider the necessity of coupled action–perception processes, in combination with human reward, prediction and social interaction processes.
