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La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti. Filmed on location in Milan , the film depicts a single day and night in the lives of a disillusioned novelist (Mastroianni) and his alienated wife (Moreau) as they move through various social circles.
Jan 20, 2021 · La notte (1961) The rain arrives briefly and seems to wash inhibition away for a time. Water falls onto patios and into a swimming pool. It fills the silence for a moment. It’s no wonder Lidia walked earlier. It’s all that’s left to do. When the party’s over and the night is leaving, Lidia and Giovanni wander again.
La Notte. In Milan, Lidia (Jeanne Moreau) suddenly storms out of a posh gathering held to honor her husband, Giovanni (Marcello Mastroianni), who has just written a new novel. Distressed at the ...
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- Marcello Mastroianni
- Michelangelo Antonioni
- Drama
Apr 12, 2023 · Summary of “La Notte” by Michelangelo Antonioni. One-line summary: “La Notte” is a thought-provoking Italian film directed by Michelangelo Antonioni that explores the existential crisis of a married couple during a single night in Milan. Main Cast and Crew: Director: Michelangelo Antonioni; Writer: Michelangelo Antonioni; Key Actors:
Sep 9, 2016 · La Notte is thus something of Antonioni’s update of Roberto Rossellini’s Journey to Italy from 1954. Similarly charting the gradual deterioration of a relationship against an intimidating, harshly revealing backdrop, La Notte takes as stylistic blueprint Rosselini’s earlier modernist fairy tale, but rather than conceptually intervene when discord threatens to permanently engage the ...
La Notte (1961) -- (Movie Clip) It Would Be Pointless. Jan 1962. After 10 years, the marriage of Lidia and Giovanni has become empty and meaningless; their only bond is mutual lethargy. Late one afternoon they visit a dying friend, Tommaso, in a Milan hospital. Distressed by the thought of death, Lidia leaves his bedside and weeps in anguish.
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Sep 15, 2016 · Michelangelo Antonioni was a cinematic cubist. Fragmenting time and space, the Italian master created a potent new language for storytelling, and in the process charted a topography of modern ennui.
