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"Leftfield is a genre inspired by Paul Daley and Neil Barnes, two electronic music pioneers who were the first to fuse house music with dub and reggae. Their desire to ignore the boundaries of genre classifications and experiment with new sounds that were often indefinable in terms of the genre classifications around at the time, led popular UK ...
Find Left-Field Pop Albums, Artists and Songs, and Hand-Picked Top Left-Field Pop Music on AllMusic
May 11, 2017 · When Leftfield released their debut album in 1995, it changed dance music forever. Wilfully eclectic, Leftism never settled on a single genre, dabbling in tribal, trance, dub, house and ambient...
Jan 28, 2013 · Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal...
- Professor Allan F Moore
- Ashgate Publishing, Ltd., 2013
- revised
Oct 23, 2018 · First, popular music must be bestowed an air of legitimacy through careful definition and categorization. As Hamm stated at the First International Conference on Popular Music, "There is no general agreement on just what is encompassed by the term 'popular music'."
There’s no single sound that typifies left-field house. It can be abstract and grimy like Theo Parrish, whose productions often favor low BPMs and samples from obscure jazz recordings, all the while retaining a pronounced 4/4 rhythm.
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Nov 11, 2008 · Popular music analysis-why? One of the initial problems for any new field of study is the attitude of incredulity it meets. The serious study of popular music is no exception to this rule.
