Yahoo Canada Web Search

Search results

1. www.tandfonline.com › doi › fullWhat sociologists learn from music: identity, music-making ...

   www.tandfonline.com › doi › full

   Oct 24, 2023 · This article examines the relationship between music and sociological thinking. Antoine Hennion has shown that learning to play music involves an immersion within a culture that has rules, languages and rituals and as a result ‘music is a form of sociology’ (Hennion Citation 2020, 292).

2. www.jstor.org › stable › 852975Analysing Popular Music: Theory, Method and Practice - JSTOR

   www.jstor.org › stable › 852975

   The argument is that popular music cannot be analysed using only the traditional tools of musicology. This is because popular music, unlike art music, is (1) conceived for mass distribution to large and often socioculturally heterogeneous groups of listeners, (2) stored and distri-buted in non-written form, (3) only possible in an industrial ...

3. Videos

   • 

     58:56

     youtube.com

     What Sociologists Learn from Music: Identity, Music-making and the Sociological Imagination

     Dec 6, 2023

     163 Views

   • 

     5:57

     youtube.com

     What Is Pop?

     Jun 9, 2020

     89.6K Views

   • 

     5:49

     youtube.com

     How to do Sociology with ... Music | Prof Les Back

     Mar 30, 2016

     4.1K Views

   View all

4. www.academia.edu › 1935391 › The_Sociology_ofThe Sociology of popular music, interdisciplinarity and ...

   www.academia.edu › 1935391 › The_Sociology_of

   • Cached

   Reporting from one such ghetto, this paper considers some of the ways in which the sociology of popular music has been limited by its positioning within an interdisciplinary environment and suggests two strategies for developing a more fully-realized sociology of popular music.

5. www.researchgate.net › publication › 329348538(PDF) Musical and Social Structures: Marxist Interpretations ...

   www.researchgate.net › publication › 329348538

   Dec 1, 2018 · Andrew Chester’s “For a Rock Aesthetic”, published in New Left Review in 1970 is an example. Popular music studies, however, also produced works in Eastern Europe at around the same time,...

6. www.oxfordbibliographies.com › abstract › documentSociology of Music - Oxford Bibliographies

   www.oxfordbibliographies.com › abstract › document

   • Cached

   May 24, 2017 · Bringing occupational and organizational sociology into the sociology of popular music, Richard A. Peterson demonstrated the internal logic of cultural production in terms of risk and reward (see Anthologies).

7. journals.sagepub.com › doi › fullMusical Relationships: Intersections of Race, Gender, Genre ...

   journals.sagepub.com › doi › full

   Jun 25, 2020 · The ways that music creates bridges and boundaries between people has long been of interest in the sociology of music, and a core problem is understanding patterns in relationships between consumers and producers.

8. People also ask

   What is the sociology of popular music?

   • There seems to be little in the sociology of popular music that deals with the specifically musical aspects of its subject. Not music as an object to bought, held, collected, traded, shared, but music as music, as organized sound.

   (PDF) The Sociology of popular music, interdisciplinarity and aesthetic

   www.academia.edu/1935391/The_Sociology_of_popular_music_interdisciplinarity_and_aesthetic_autonomy

   See all results for this question

   Who can develop a more sociological approach to popular music?

   • None the less, it does seem reasonable to suggest that those best-placed to develop and enhance a more sociological approach to popular music are those who have undergone training as sociologists and who institutionally label themselves as sociologists.

   (PDF) The Sociology of popular music, interdisciplinarity and aesthetic

   www.academia.edu/1935391/The_Sociology_of_popular_music_interdisciplinarity_and_aesthetic_autonomy

   See all results for this question

   Should music be a part of sociological analysis?

   • If a fullyrealized sociology of popular music is to be developed, then this fact needs to be considered more than at present: engagement with ‘the music itself’ must become a necessary part of sociological analysis. Despite the centrality of ‘the music itself’ to musical experience, many sociological analyses ignore music.

   (PDF) The Sociology of popular music, interdisciplinarity and aesthetic

   www.academia.edu/1935391/The_Sociology_of_popular_music_interdisciplinarity_and_aesthetic_autonomy

   See all results for this question

   Can'middle range' concepts be used in sociology of popular music?

   • Many ‘middle range’ concepts that are part of the conventional terrain of general sociology, such as Hochschild’s notion of emotional labour, could be extremely useful for the sociology of popular music but they rarely, if ever, make an appearance. Looking outside of popular music to other areas of social life may help rectify this oversight.

   (PDF) The Sociology of popular music, interdisciplinarity and aesthetic

   www.academia.edu/1935391/The_Sociology_of_popular_music_interdisciplinarity_and_aesthetic_autonomy

   See all results for this question

   Why do sociologists listen to music?

   • Many of the sociologists I have spoken to use listening to and playing music as a spur to be brave and bold in their work, allowing them to find new forms and modes for sociology itself. Living with music is inextricably linked to keeping the sociological imagination alert and attentive to the unfolding nature of society.

   Full article: What sociologists learn from music: identity, music

   www.tandfonline.com/doi/full/10.1080/1070289X.2023.2268969

   See all results for this question

   Is musical specificity a necessary component of a sociology of popular music?

   • In relation to the specific case study, the paper argues that considering musical specificity is a necessary component of a sociology of popular music, and some possibilities for developing a ‘materialist sociology of music’ are outlined.

   (PDF) The Sociology of popular music, interdisciplinarity and aesthetic

   www.academia.edu/1935391/The_Sociology_of_popular_music_interdisciplinarity_and_aesthetic_autonomy

   See all results for this question

9. tagg.org › articles › xpdfsAnalysing popular music: theory, method and practice - Tagg

   tagg.org › articles › xpdfs

   Musicology and popular music research Studying popular music is an interdisciplinary matter. Musicology still lags behind other disciplines in the field, especially sociology. The musicologist is thus at a simul-taneous disadvantage and advantage. The advantage is that he/she can draw on soci-ological research to give the analysis proper ...