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The word musicology literally means "the study of music," encompassing all aspects of music in all cultures and all historical periods. In practice, musicology includes a wide variety of methods of studying music as a scholarly endeavor; although the study of music performance is an important facet of musicology, music performance itself is a ...
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- The Institutional Theory of Art: A Concept by George Dickie
- Levinson’s Counterarguments: “Defining Art Historically”
- Duchamp’s Works as A Focal Point in The Debate
- Understanding The Dual Pillars of Music: Emotion and Technical Skill
- Engaging with Music: A Dialogue Between The Musician and The Audience
- The Timeless Nature of Fiction: Understanding Our Responses to Imaginary Worlds
The ‘Institutional Theory of Art’ is a classificatory theory proposed by Professor George Dickie in his 1984 paper “The New Institutional Theory of Art.” in his paper, Dickie uses what he calls an ‘institutional approach’ which he explains as: “The idea that works of art are art as the result of the position they occupy within an institutional fram...
“Defining Art Historically” is a paper written by professor Jerrold Levinson in direct response to Dickies ‘Institutional Theory.’ In the paper, Levinson proposes what he calls “an alternative to the institutional theory of art, albeit one that is clearly inspired by it.” Levinson does keep several of Dickie’s core ideas in the fold but levels crit...
Marcel Duchamp’s work, and his readymades specifically, have sparked debate over what is and isn’t art since Fountain first debuted in 1917. Fountain, for the uninitiated, is a urinal, turned on its side, with the signature “R. Mutt” on the side/now bottom. It is now, in retrospect, viewed as a landmark piece in the creation of both the modern and ...
Music, as a medium, is quite hard to pin down; like most art forms, it has formed countless subdivisions in its millennia of existence, with each division having its own style of sound and its own set of instruments to produce said sounds. There are, however, two pillars that form the foundation of all music. The first of these pillars is emotion; ...
The schism between the types of performance, inevitably, has created two different kinds of listening to music. These two types of listening are closely tied to the two pillars that act as the building blocks of the music that is being listened to. The first way to experience music is akin to Philosopher John Dewey’s writings on the subject[of expe...
As long as Humankind has been able to communicate with one another, it has created fictional universes, stories, and myths to share with one another. Fiction is not a fad or a recent creation but a thread that acts as a throughline for all of civilization’s history. Never has a society existed without creating its own fiction, whether they be the a...
Musicology, the scholarly and scientific study of music. It covers a wide and heterogeneous area of research and is concerned with the study not only of European and other art music but also of all folk and non-Western music. Learn about the history and scope of musicology.
- The Editors of Encyclopaedia Britannica
Dec 7, 2021 · Musicology is a humanities discipline in which students analyze music from a cultural perspective. It plays a key role in a well-rounded music education. The study of music goes beyond music performance topics such as harmony, counterpoint, and music theory.
Explore the definition of musicology, understand its history and scope, and review the different branches in the study of music. What is Musicology? The definition of musicology is simply the...
Music theory is a field of study that describes the elements of music and includes the development and application of methods for composing and for analyzing music through both notation and, on occasion, musical sound itself. Broadly, theory may include any statement, belief or conception of or about music (Boretz, 1995) [incomplete short ...
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Oct 22, 2007 · (See Adajian 2007, for an overview of the definition of art.) John Cage's 4'33" is a central test-case for any definition of music. It raises the question of whether organized sound is even a necessary condition on something's being music (any more).
