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Aug 1, 2023 · Organ improvisation is a practical, noble, respectable art with an intense history and remarkable achievements. Although the results of practising it are ephemeral, the theoretical descriptions ...
Apr 29, 2017 · 1. Gerre Hancock, Improvising: How to Master the Art (New York: Oxford University Press, 1994), vii. 2. Stephen Nachmanovitch, Free Play: Improvisation in Life and Art, quoted in Jeffrey Brillhart, Breaking Free: Finding a Personal Language for Organ Improvisation through 20th-century French Improvisation
The Art of Stylish Organ Improvisation Dr Michał Szostak Published in: Szostak Michał, "The Art of Stylish Organ Improvisation", in: "The Organ”, No 390, Nov.2019-Jan.2020, Musical Opinion Ltd, London, ISSN 0030-4883, pp. 20-27. Prologue The spontaneous musical activity of a man was the main source from which the entire musical
The specific sound character of each organ flourishes optimally in music that is specifically made for it - which is one of the reasons that organists never have stopped improvising. How did the art of improvisation develop through the centuries, what relevance was ascribed to it by, say, musicians such as Johann Sebastian Bach, and how to analyse improvisations?
Good improvisations are coherent in style, may follow a specific formal structure, or otherwise are created for a specific function. Each of the pages below gives a brief explanation of the form, function, or style and then offers examples. Forms. Fugue; Passacaglia; Scherzo; Symphony; Functions. Prelude; Offertory; Communion; Postlude (Sortie ...
May 8, 2022 · Wassily Kandinsky’s “Improvisation,” a Good Example of Improvisational Art. Talking about improvisational art, we cannot but mention Wassily Kandinsky’s “Improvisation.” It is a series of paintings that the famous Russian abstract artist painted at the beginning of the 20th century.
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However, the discovery during the last decade of a large number of examples of so-called partimento fugue or thoroughbass fugue shows that improvisation of fugue during the Baroque epoch—just like the improvisation of homophonic forms—actually had its foundation in the practice of figured bass. 11 The detailed study and comparison of these examples, strengthened by the testimony of ...
