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Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.
- William Shakespeare
- 1941
Sep 27, 2024 · Othello, tragedy in five acts by William Shakespeare, written in 1603–04 and published in 1622 in a quarto edition from a transcript of an authorial manuscript.The text published in the First Folio of 1623 seems to have been based on a version revised by Shakespeare himself that sticks close to the original almost line by line but introduces numerous substitutions of words and phrases, as ...
- David Bevington
Othello. The play’s protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race.
May 2, 2018 · Desdemona’s devotion is total; and while Othello’s love may be based in part on her mirroring back to him his best self (“She loved me for the dangers I had passed, / And I loved her that she did pity them” [1.3.193–94]), he has clearly invested his life in their new relationship. Each is dependent on the other, yet each is necessarily separated in isolated selfhood.
Feb 1, 2024 · Explore the profound themes of love, jealousy, and betrayal in Shakespeare's Othello. This timeless play is dissected to reveal the enduring impact it has on literature and society. Discover Othello's pivotal characters and the intricate web of emotions they navigate, providing readers with a rich, multifaceted experience of the human condition.
Among the fascinating aspects of Othello is the description of the titular character, as Othello's 'otherness' is highlighted throughout the play. In addition to being labe lled a 'Moor' (Act One, Scene 1, line 42), meaning a citizen of North Africa, Othello is also described as having 'thick-lips' (Act One, Scene 1, line 72) and being an 'extravagant and wheeling stranger' (Act One, Scene 1 ...
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He is an amateur of tragedy in real life; and instead of employing his invention on imaginary characters, or long-forgotten incidents, he takes the bolder and more desperate course of getting up his plot at home, casts the principal parts among his nearest friends and connections, and rehearses it in down-right earnest, with steady nerves and unabated resolution.
