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- Moving from a dissonance to the consonance that is expected to follow it is called resolution, or resolving the dissonance. The pattern of tension and release created by resolved dissonances is part of what makes a piece of music exciting and interesting. Music that contains no dissonances can tend to seem simplistic or boring.
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Apr 19, 2012 · Moving from a dissonance to the consonance that is expected to follow it is called resolution, or resolving the dissonance. The pattern of tension and release created by resolved dissonances is part of what makes a piece of music exciting and interesting.
All dissonances should be prepared and resolved. (In rare cases it may be impossible to prepare or resolve, but if it is possible, it must be done). This means for each dissonant note, you can write in three melody notes (the preparation, the dissonance itself, and the resolution).
Moving from a dissonance to the consonance that is expected to follow it is called resolution, or resolving the dissonance. The pattern of tension and release created by resolved dissonances is part of what makes a piece of music exciting and interesting.
When you move away from the home chord, you introduce a tension - not a dissonance -- and when you return to the home chord, you resolve that tension. Some pieces defy expectations by ending on an unresolved chord.
Feb 13, 2024 · Moving from a dissonance to the consonance that is expected to follow it is called resolution, or resolving the dissonance. The pattern of tension and release created by resolved dissonances is part of what makes a piece of music exciting and interesting.
In music, it refers to combinations of notes that sound unstable or harsh, creating a need for resolution, while in psychology, cognitive dissonance occurs when a person holds contradictory beliefs, often leading to discomfort and a drive for resolution.
Resolution. After sounding the diminished triad, we must then voice lead whichever voice containing the chord tone of the diminished fifth dissonance in the diminished triad downward by step, resolving to a consonant chord tone in the subsequent chord.