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Jul 5, 2018 · The most obvious explanation of the movie is that the actress Betty is actually Diane Selwyn. The first two-thirds of the film is actually a perfect fantasy that is created by Betty (Diane) played by Naomi Watts. In the real world, she is depressed, washed up and suicidal.
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Oct 12, 2001 · A movie director (Justin Theroux) is told to cast an actress in his movie or be murdered; a dwarf in a wheelchair (Michael J. Anderson) gives instructions by cell phone; two detectives turn up, speak standard TV cop show dialogue, and disappear; a landlady (Ann Miller--yes, Ann Miller) wonders who the other girl is in Aunt Ruth's apartment ...
Plot. A woman is about to be shot by her chauffeur on Mulholland Drive, but is saved when a car crashes into them. The woman is the sole survivor but is dazed, and hides in an apartment when the occupant leaves. Aspiring actress Betty Elms from Deep River, Ontario, arrives at the apartment, loaned by her aunt, and finds the woman.
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According to one of the most common - and surprisingly coherent - interpretations of Lynch’s film, the first part of Mulholland Drive is best understood as a dream sequence, in which elements of the ‘real’ story are explored in heightened or distorted ways, until the protagonist Diane wakes up. It’s a clever play, too, on Hollywood as a dream facto...
Just before the film’s opening credits, we see a bed with red sheets, arguably our first hint that what is about to unfold is happening in the dream world; the same bed and sheets are later seen when Betty and Rita visit the apartment with the dead body, and then again when Betty / Diane wakes from the dream. The character Louise, the next-door nei...
One way of looking at Mulholland Drive’s first section is as a comment on Hollywood movie-making, and how the industry can flatten stories and characters into easily digestible tropes and characters as a way of making sense of the world. It follows then, that both Betty and Rita, the dream versions of the more fraught and complicated Diane and Cami...
We first meet Rita when she is sitting in the back of a limo, and is surprised when the driver pulls over at an unexpected stop along Mulholland Drive, up in the Hollywood Hills. A man in the front of the car pulls out a gun, and it seems that he is about to shoot her - perhaps foreshadowing Camilla’s actual death offscreen at the hands of the hitm...
In the film’s first section, Joe (Mark Pellegrino) is a clumsy hitman who messes up an attempt to steal a little black book, killing not only the target but a woman in the next room, and the janitor who witnesses the murder, before triggering the fire alarm. It’s a darkly comic sequence where the slapstick humour sits unsettlingly alongside the spa...
Towards the beginning of the film, a man named Dan, who is sitting in a Winkie’s diner, explains that he had a nightmare where he saw a terrifying figure behind the same restaurant. When he checks around the back, the strange man appears, causing him (and probably viewers of a nervous disposition) to collapse in fright. The same man appears again t...
We first meet Betty when she emerges from LAX airport, accompanied by an old lady, who we soon learn is named Irene, and an elderly man. The pair reiterate how nice it was to travel with Betty, and wish her well in her attempts to crack Hollywood, promising to watch out for her “on the big screen”. It seems like a sweet farewell, but this is a Lync...
Cornered by the vision of the old couple, Diane reaches into a drawer to pull out a gun, then shoots herself. After Diane dies and everything fades to black, we see her and Camilla’s - or should that be Betty and Rita’s? - smiling faces superimposed over the bright lights of Los Angeles. It’s reminiscent of an old-fashioned movie poster, as if Dian...
- 1 min
David Lynch's dreamlike and mysterious Mulholland Drive is a twisty neo-noir with an unconventional structure that features a mesmerizing performance from Naomi Watts as a...
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- David Lynch
- R
- Justin Theroux
Apr 1, 2023 · A plethora of bizarre characters and subplots, surrealist imagery and ambiguous dialogue define Mulholland Drive, making it one of Lynch’s most challenging films for viewers to wrap their heads around.
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A dark-haired woman (Laura Helena Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles. Detectives investigating the crash indicate they suspect a woman has made her way down to the city.
