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Romeo and Juliet. Romeo Character Analysis. The name Romeo, in popular culture, has become nearly synonymous with “lover.”. Romeo, in Romeo and Juliet, does indeed experience a love of such purity and passion that he kills himself when he believes that the object of his love, Juliet, has died. The power of Romeo's love, however, often ...
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As Romeo approaches Juliet’s bedroom, he describes her in...
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Oct 3, 2024 · Romeo is one of the titular characters in Shakespeare’s famed romantic tragedy and Juliet’s young lover. He is the only son of Lord and Lady Montague, nobles of Verona. Although intelligent ...
If you find yourself occasionally annoyed by Romeo, you're in good company. He's emotional and angsty (plus he always has his hair in his eyes), and it drives some people crazy. His over-the-top infatuation with Rosaline at the beginning of the play, immediately followed by, um, completely forgetting about Rosaline, can make Romeo seem shallow ...
Notice how clunky Romeo's metaphors are when he talks about love. Romeo's discourse imitates poetry and the sonnet tradition in which a poet would catalogue a woman's beauty and perfection in 150 14-line poems. This type of speech suggests that Romeo is less in love with Rosaline and more in love with the pose of melancholic love.
Romeo and Juliet both use the imagery of stars, moons, and suns to emphasize that their love is not earthbound or ordinary, but the play always reminds us that in fact, the stars are not on the lovers’ side. For Romeo, “Juliet is the sun” (2.2.). Her eyes are “ [t]wo of the fairest stars in all the heaven” (2.2.).
Though the Prologue offers the first and perhaps most famous example of celestial imagery in Romeo and Juliet, references to the stars, sun, moon, and heavens run throughout the play, and taken as a whole that imagery seems to express a different view of human responsibility. In Act 1, scene 4, Romeo says that he fears “some consequence yet hanging in the stars” when he and his gang ...
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There is the same rich exuberance of passion and sentiment in the one, that there is of thought and sentiment in the other. Both are absent and self-involved, both live out of themselves in a world of imagination. Hamlet is abstracted from everything; Romeo is abstracted from everything but his love, and lost in it.
