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Romeo and Juliet both use the imagery of stars, moons, and suns to emphasize that their love is not earthbound or ordinary, but the play always reminds us that in fact, the stars are not on the lovers’ side. For Romeo, “Juliet is the sun” (2.2.). Her eyes are “ [t]wo of the fairest stars in all the heaven” (2.2.).
Romeo and Juliet. Romeo Character Analysis. The name Romeo, in popular culture, has become nearly synonymous with “lover.”. Romeo, in Romeo and Juliet, does indeed experience a love of such purity and passion that he kills himself when he believes that the object of his love, Juliet, has died. The power of Romeo's love, however, often ...
Oct 3, 2024 · Romeo is one of the titular characters in Shakespeare’s famed romantic tragedy and Juliet’s young lover. He is the only son of Lord and Lady Montague, nobles of Verona. Although intelligent ...
Notice how clunky Romeo's metaphors are when he talks about love. Romeo's discourse imitates poetry and the sonnet tradition in which a poet would catalogue a woman's beauty and perfection in 150 14-line poems. This type of speech suggests that Romeo is less in love with Rosaline and more in love with the pose of melancholic love.
- Romeo. One of the protagonists of the play, along with Juliet. He is the male heir to the dynasty of House Montague, which is in a long-standing feud with House Capulet.
- Juliet. One of the protagonists of the play, along with Romeo. She is the female heir to the dynasty of House Capulet, which is in a long-standing feud with House Montague.
- Friar Laurence. A kindly, philosophical friar of Verona who, as his community’s spiritual and intellectual center, keeps finding himself enmeshed in the dramas of House Montague and House Capulet.
- The Nurse. Juliet’s nurse is the main source of comic relief throughout the play. Forgetful, long-winded, bawdy, and seemingly immune to embarrassment, the nurse is happy to share cringe-worthy stories from her own past and Juliet’s… read analysis of The Nurse.
Though the Prologue offers the first and perhaps most famous example of celestial imagery in Romeo and Juliet, references to the stars, sun, moon, and heavens run throughout the play, and taken as a whole that imagery seems to express a different view of human responsibility. In Act 1, scene 4, Romeo says that he fears “some consequence yet hanging in the stars” when he and his gang ...
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Both are absent and self-involved, both live out of themselves in a world of imagination. Hamlet is abstracted from everything; Romeo is abstracted from everything but his love, and lost in it. His "frail thoughts dally with faint surmise," and are fashioned out of the suggestions of hope, "the flatteries of sleep."
