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  1. As vaudeville continued in its popularity, so did the Orpheum Circuit. By the end of 1909, Orpheum theaters had opened in Atlanta, Memphis, Mobile, Birmingham, Salt Lake, Ogden, and Logan. In addition, Beck and Meyerfeld made an agreement with the smaller Sullivan-Considine vaudeville chain in 1908 that allowed the Orpheum to book artists in their theaters in Seattle, Spokane, Portland, and Butte.

  2. Jul 2, 2016 · The section below is a chronology of all known concerts and appearances Prince did between 1979 and 2016. ... Austin, TX USA: UT-Frank Erwin Center ... open rehearsal ...

  3. Jun 20, 2018 · NBC Studio 8-H. New York City, New York. Saturday Night Live (Season 17, Episode 309) Into the Great Wide Open/King's Highway. Monday, October 14, 1991. Walnut Creek. Raleigh, North Carolina. Tuesday, October 15, 1991. Blockbuster Pavilion.

  4. Aug 2, 2023 · RKO’s Orpheum presents The Flirting Widow, June, 1930. The Orpheum presents Bert Smith’s “33 Varieties,” February, 1933. The Orpheum presents the “Star-Spangled Jamboree,” July, 1938. The Orpheum presents The Mills Brothers, on stage, September, 1938 Orpheum ads and promotions from the 1930s reflected the Great Depression and pre- and post-Prohibition era’s powerful and pre ...

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  5. Its 101 feet of stage width and 28 feet of depth made the Orpheum the only theatre between Los Angeles and Denver able to handle the traveling vaudeville shows that changed weekly. </p><p> Designed by architects Lescher & Mahoney, the theatre was built for $750,000 by Jo E. Rickards and Harry Nace.

  6. Styx began as a progressive rock band that became quickly known for fusing hard rock guitar, strong ballads and acoustic guitar. However, they also embraced pop music and softer rock at the behest of Dennis DeYoung in the early 1980s. Styx formed in August 1961 and was originally called “The Tradewinds.”.

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  8. Once the most popular form of entertainment in the United States, vaudeville died out in the early 1930s and the revered Palace struggled to survive. In 1965, the Nederlander Organization bought it and hired Ralph Alswang, a Broadway scenic designer who had been begun designing theater interiors in the mid-1960s, to restore the Palace to its original grandeur.

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