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Jul 22, 2020 · Paramount’s music director was furious, but Rózsa enjoyed the support of the director Billy Wilder, and the music remained as Rózsa wanted. In a 1977 interview with Robert Porfirio, Rózsa stressed his autonomy: I was never at home in the studio. The so-called Hollywood people and I didn’t talk the same language, I admit.
Miklos Rózsa Interview - 1982. Regarded for more than forty years as one of the absolute masters of music in cinema, Miklós Rózsa is also one of the most outstanding composers of this century.
Miklós Rózsa (Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) [1] was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. [2] Best known for his nearly ...
Dec 1, 2001 · Nor did many of them deserve it: most of the musicians who wrote film scores in the 30’s were true hacks, and their work was as utilitarian and unmemorable as the movies it adorned. 2 With the sole exception of the Vienna-born Erich Wolfgang Korngold, who like Rózsa had distinguished himself on the European classical-music scene long before moving to America, Rózsa found his new colleagues ...
Jul 28, 1995 · Miklos Rozsa, an Academy Award ... of merit for outstanding services to American music. The composer, who became a U.S. citizen in 1946, published his autobiography, “A Double Life,” in 1982 ...
1976 interview with Rózsa by Derek Elley from Films and Filming. 1978 interview with Rózsa from the Seattle Times. 1980 interview with Rózsa from French Première magazine. 1982 interview with Rózsa from French-Canadian publication 24 Images. 1984 PBS program where Elwy Yost interviews film music composers, including Rózsa.
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Jun 1, 2022 · Rózsa became best known for epics—sprawling odysseys to other cultures, from the ancient Rome of Quo Vadis (1951) and Ben-Hur (1959) and King of Kings (1961), to the ancient Spain of El Cid (1961). These inspired equally grand, tuneful scores that fused a romantic Hollywood symphony with folk instruments from the time and place of each story, which the composer reveled in researching.
